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Alan Starrett  

3 movements towards g

Duration: 11' 00" Year: 1980
for string quartet

Jeroen Speak  

Auxetos

Duration: 10' 00"
for string quartet

John Rimmer  

Bowed Insights

Duration: 10' 00" Year: 1993
for string quartet

Juliet Palmer  

Egg & Tongue

Duration: 10' 00" Year: 1994
for string quartet

Jack Body  

Epicycle

Duration: 13' 00" Year: 1989
for string quartet

  • Programme Note

    Composed in 1989 for the Kronos Quartet, Epicycle is rarely played due to its level of difficulty. The unrelenting running patterns, filled with displaced accents, changing meters, and hairpin hockets (rapidly played interlocking phrases passed from player to player) are just a part of the challenge. Jack Body explains, “When I write for string quartet I like to think of the instruments as equal partners within the same register, each with its own quality of sound, not in the vertical hierarchy – from cello upwards towards the first violin that we normally hear from a string quartet. This makes strenuous demands on the cello of course, who must ascend into the violin’s register, since the reverse is not possible.

    Since I first composed Epicycle for the Kronos quartet in 1989 I have always been dissatisfied with tis brief conclusion. In 2004 I decided to rectify this and wrote a new final section (the third) which is a kind of antithesis of the rest of the work – instead of a single line melody we have chords; instead of just employing the upper register we explore a fuller spectrum of sound, though still based on the original circular melody. Thus Epicycle concludes.”

    From notes by Charles Amirkhanian
    for the CD “Ring of Fire” © 2008 Other Minds

  • Availability

Alex Taylor  

four landscapes

Duration: 11' 00" Year: 2008
for string quartet

  • Instrumentation
    violin 1, violin2, viola and cello
  • Programme Note

    This work for String Quartet consists of four short movements, the titles of which are taken from poems by Janet Frame: The Icicles, The Stones, Moss and The Birch Trees. Each one is a kind of natural miniature, exploring stillness and the simple beauty of quiet sounds, and underpinned by a sense of gentle unease. The Icicles is a fragile, intimate movement without development, tiny fragments of tune colouring the sparse soundscape. The Stones sets up an insistent, pulsing rhythm that hints at the sustained violence to come in Moss, a much denser, edgier beast, a breaking point before the calm. In the final movement, the action is brought back to a quiet nostalgia, recalling the delicate, frail harmonies of the opening. The work as a whole owes much to the aesthetics of John Cage’s String Quartet in Four Parts and to Janet Frame’s virtuosic portrayal of New Zealand landscape.

  • Availability

Ross Harris  

Ghost Dances (String Quartet No.2)

Duration: 13' 00" Year: 1998
for string quartet

Claire Scholes  

Knees Up Mambo

Duration: 12' 00" Year: 2008
for violin solo and string ensemble

Claire Scholes  

Knees up Mambo

Duration: 12' 00" Year: 2008
for solo cello and string ensemble

Ronald Dellow  

Miniature String Quartet

Duration: 10' 00" Year: 1994
for string quartet