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• Ritchie, A: Ashburn Fragments; facsimile 

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• Chamber Vulgarus - Autumn 2011 

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• John Rimmer: Centrifugues - hardcopy score  Year: 2009 

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• Seaswell  Year: 1992 

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Originally composed for Margaret Nielsen this set of short pieces for piano explores unconventional melodic styles inspired by the composer’s fascination with melodic styles outside the Western “classical” tradition, including, among others, bagpipe music, and the Chinese guqin zither. It has been recorded by both Margaret Nielsen and Daniel Poynton.

• Body: Five Melodies; facsimile  Year: 1984 

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• Body: Five Melodies; computer-set  Year: 1996 

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• First Fifteen - a selection of piano music by NZ composers  Year: 1996 

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• Jack Body: Five Melodies; video 

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• Jack Body: Five Melodies (mvts I, II, IV, V); Nielsen 

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• Jack Body: Five Melodies 

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• Sea Changes  Year: 1986 

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• You Hit Him He Cry Out - Dan Poynton  Year: 1996 

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These five works, of intermediate to advanced difficulty, were composed between 1982 and 1984. They are student works composed while at Victoria University of Wellington.

• Davidson: Five Vignettes for Piano; facsimile 

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• Davidson: Five Vignettes for Piano; facsimile 

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• Matthew Davidson: Five Vignettes for Piano 

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• Archer: Partita for piano; facsimile 

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The first movement contains two contrasting elements. The first element is thematic material of a clearly defined character and this occurs at varying pitches during the course of the movement. The second element which has a transitional and developmental function is a harmonic transformation of the thematic material of the first element.

The second movement takes the form of a “quasi-valse” which contains with it an “adagio espressivo” section, inward-looking and sombre in character. The movement closes with another slow section (“molto lento e tristamente”) which serves as the resolution, both structurally and emotionally of the sonata as a whole.

• Cowdell: Marie Duplessis; facsimile 

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• Carr: Piano Sonata No. 3; facsimile 

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• Carr: Piano Sonata No. 3; facsimile 

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The Poems of Spring consist of eight short pieces altogether, written in 1981 when the composer was a third year student at the University of Canterbury. He gave the first performance of the work at the University late in that year. These pieces attempt to contrast the beauty of a Christchurch spring with the pain of a broken relationship. All this is played out against the backdrop of the 1981 Springbok ruby tour which cause so much turmoil in New Zealand at that time.

• Ritchie A.: Poems of Spring; facsimile 

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• Firestarters 1: new recital pieces for piano  Year: 2002 

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• John and Anthony Ritchie: Caricatures; computer-set  Year: 2003 

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• Firestarters 2: seven new recital pieces for piano  Year: 2005 

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• Mozart Fellows Concert 2007 - Vol. 1 

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• Firestarters 1: new recital pieces for piano  Year: 2002 

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• Firestarters 2: 7 new recital pieces for piano  Year: 2005 

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• Expressions - piano music by Anthony Ritchie  Year: 2010 

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Written for solo piano with amplification, Red Mesa has been described “as dry, quiet and wild as the desert it depicts, and among her [Lockwood’s] best works” (Gann, Village Voice).

• Lockwood: Red Mesa; facsimile  Year: 1993 

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• Annea Lockwood: Red Mesa 

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• You Hit Him He Cry Out - Dan Poynton  Year: 1996 

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• Dadson: Sister's Dance; computer-set 

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• Preview - a journey to Olympus, and beyond 

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• Phil Dadson: Sisters Dance 

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• You Hit Him He Cry Out - Dan Poynton  Year: 1996 

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