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Gary Daverne  

A Man With a Mission

Duration: 1h 20' 00" Year: 1991, r. 2011
an opera in two acts based on life of Missionary John Hobbs

  • Programme Note

    Synopsis

    It is a historic story of a young man who travels from England via Australia, in the early 1820s, to become an ordained minister and set up a Wesleyan Mission in the Hokianga, in Northland, New Zealand.

    The story portrays the relationships, frustrations, conflicts and troubled times with the early settlers, the native Maori people and their Chiefs, especially Chief Te Aara, Tamati Waka Nene and Patuone.

    There is his special love for his devoted wife Jane, their learning, teaching and preaching, their unjustified exile to Tonga, then his reinstatement two years later to the Weslyan Mission in the Hokianga, culminating in the signing of the Treaty of Waitangi at Horeke, in the Hokianga.

  • Availability

Matthew Davidson  

Aliens disguised as Elvis...

 Year: 1990
theatre piece for seven performers

  • Programme Note

    The full title of this work is Aliens disguised as Elvis kidnapped my grandmother’s appendix in a previous life after having been sucked through a black hole singularity on a Sunday afternoon picnic in the park with Aunt Jemima Puddleduck while discussing the simultaneity of states of sub-atomic particles, K. 666.31. The work is also known as The Enigma of Arrival, the purpose of this piece is to portray the epic struggle of Life and Death on a microcosmic and macrocosmic scale.

  • Availability

Jack Body  

Alley

Duration: 1h 30' 00" Year: 1997
an opera in two acts based on the life of Rewi Alley

Nigel Keay  

At the Hawk's Well

Duration: 55' 00" Year: 1991
opera in one act

  • Instrumentation
    2 sopranos playing percussion; 1 bass playing percussion; Bass; Tenor; Dancer; women's chorus; flute, alto flute, clarinet in A, bass clarinet, bassoon; horn, trombone, bass trombone; timpani, piano; strings (including solo electric violin); Percussion: Javanese drums, bass drum, tamtam and optional Javanese gong, gender, slentem, kempul.
  • Programme Note

    An operatic setting of the dance-play by W.B. Yeats which is also performable as a dramatic cantata in a concert version. This is a one-act work and is ritualistic in nature reflecting Yeats’ modeling of the text on the Japanese Noh play. The music is at times dark and atmospherlc, and the archetypal symbolism and metaphysical suggestion of the text, wlth its archaic language and bleak images, is a rich source of inspiration for this. The musical language is comprehensive with tonality and atonality used in conjunction with each other to express literary ideas. Written for five solo singers with the main roles being a tenor and a bass, and a dancer, the backing ii provided by a 30 or so piece orchestra including piano, solo electric violin, and gamelan instruments.
    (Programme note from composer’s website)

  • Availability

Eric Biddington  

Beauty and the Beast - a ballet for children

Duration: 50' 00" Year: 1994
for wind quintet and piano

Christopher Blake  

Bitter Calm

Duration: 1h 30' 00" Year: 1993
opera in two acts for soloists, chorus and orchestra

  • Instrumentation
    2sop,1ten,2bari,SATB chorus and orchestra: (2)22(2)2(2); 2220; 2perc,timp,2keyb; strs.
  • Programme Note

    Bitter Calm is a full length opera for five principals, chorus and orchestra in two acts. It is based on an incident at Motuarohia Island in the Bay of Islands, New Zealand in the 1840s. It is a drama of human passions in the contexts of land alienation and tensions between Maori and new settlers. Premiered at the New Zealand International Festival for the Arts in 1994 and filmed for television.

  • Availability

Helen Fisher  

Bone of Contention

Duration: 1h 20' 00" Year: 1993
a dance work for mezzo-soprano and ensemble

John Drummond  

Bridge to Somewhere

Duration: 40' 00" Year: 1996
comic opera in one act