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Helen Fisher  

Nga Taniwha

Duration: 20' 00" Year: 1991
bicultural work for dance and school instrumentalists

  • Instrumentation
    flute, clarinet, recorders, voices, percussion, piano, rock band
  • Programme Note

    This children’s dance theatre work choreographed by Rangimoana Taylor is based on taniwha (sea-monsters) Whataitai and Ngake, a traditional Maori legend from the Wellington region.

  • Availability

Helen Fisher  

Nga Tapuwae o Kupe (The Footprints of Kupe)

Duration: 20' 00" Year: 1992
a bicultural work for school choir, instruments and dance

  • Instrumentation
    choir, percussion, Rarotongan drums, guitars (students), Taonga Puoro (koauau), piano, clarinet in B flat, alto saxophone, horn in F, flute, guitar (advanced performer)
  • Programme Note

    Nga Tapuwae o Kupe is a music drama directed by Rangimoana Taylor. It is based on the story of Kupe’s journey from Hawaiki to Aotearoa and his discovery of various landmarks around Whanganui-a-Tara / the Wellington region.

    While this work maintains a strong Maori theme, with karanga, haka and waiata, as well it weaves in other Pacific and European elements.

    For school choir, instrumentalists, dancers and kapa haka, this work was composed with the financial assistance of a composition grant from Queen Elizabeth II Arts Council, was first performed by 140 students from South Wellington Intermediate School in July 1992 for Artsplash, the Wellington Young People’s Festival.

  • Availability

Gareth Farr  

Rona e te marama

Duration: 10' 00" Year: 2007
for Balinese and Javanese Gamelan combined

  • Programme Note

    Rona e te Marama was written for a collaboration between dancer Didik Nini Thowok, and Gamelans Taniwha Jaya and Padhang Moncar. In the traditional Maori Story, Rona goes out one night to fetch water. As she walks through the bush the moon disappears behind a cloud in the darkness Rona trips over a tree root. She curses the moon for making her fall. In retaliation the moon tries to pull Rona up into the sky. Rona grabs hold of a small shrub but the moon is too strong for her. Ever since, the story goes, if you look at the full moon you can see Rona there, still clutching the shrub.

    The unusual combination of Balinese and Javanese gamelan in this piece contrasts the different tuning systems which are generally thought to be incompatible.

    Gareth Farr

  • Availability

Jonathan Besser  

Te Rangimarie Dawn Pageant

 Year: 1999