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Chris Cree Brown  

Celestial Bodies

Duration: 25' 00" Year: 2004, r. 2005
for orchestra, electro-acoustic sounds and images

John Elmsly  

Cello Symphony

Duration: 22' 00" Year: 1986
for solo cello and orchestra

Robert Burch  

Concertino

Duration: 20' 00" Year: 1988
for solo horn, piano and string orchestra

Lyell Cresswell  

Concerto for Orchestra and String Quartet

Duration: 25' 00" Year: 1996
for orchestra and string quartet

Tony Ryan  

Concerto for tuba and orchestra

Duration: 20' 00" Year: 1996

Philip Norman  

Concerto for violin, piano and orchestra

Duration: 20' 00" Year: 1995

  • Instrumentation
    2222; 4331; timp; 2 perc.; strings
  • Programme Note

    In 3 movements, this work was reviewed as follows, “There are proper tunes, there are pattems that can be traced, brass and percussion in abundance, and rhythms that dance light off the stage at you.” Christchurch Press 11-95. This work was commissioned and premiered by the Christchurch Symphony Orchestra.

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John Rimmer  

Europa

Duration: 25' 00" Year: 2002
concerto for brass band and orchestra

  • Instrumentation

    Orchestra:(1)2,2,2(1),2(1); 4331; timp., perc. (3), hp; strings. (Percussion: small and large suspended cymbals, tam tam, glockenspiel, vibraphone, xylophone, tubular bells, snare drum, 2 bongos, 3 tom toms, bass drum.)
    Brass Band: sop cornet, solo cornet, 1st cornet, 2nd cornet, 3rd cornet, flugelhorn, tenor horn, baritone, tenor trombone, bass trombone, E flat euphonium, E flat bass, B flat bass
  • Programme Note

    In composing this concerto I recognise two contrasting musical cultures within the European artistic tradition. The Brass Band represents what I call a ‘closed’ musical system portrayed by its standardised instrumentation heard to great effect in its stirring marches, sonorous hymn playing, contest pieces and arrangements of popular and show music, while the orchestra with its dazzling array of many instrumental colours, its flexible instrumentation and its potential for pushing musical boundaries, represents an ‘open’ musical system. I wanted also to exploit the virtuosic capacity of the brass band as a concerto soloist and to celebrate through this work the unity and solidarity amongst brass musicians.

    Europa is a one movement work in five main sections which alternate slow atmospheric music with a fast and rhythmic style. The latter is heard in the many rapid passages which switch from band to orchestra and vice versa. Notable also is the relationship between the band and the orchestra particularly in the cadenzas for the brass band followed by the orchestral brass.

    I was spurred into composing this work after reading about Europa, one of the large moons of the planet Jupiter first seen by Galileo in 1610 and named after a goddess of Greek mythology. Such thoughts were instrumental in generating my first musical ideas, for instance the name ‘Europa’ is represented by a six note melody heard throughout the work. However, my initial thoughts about Europa receded as I explored and developed the musical material. ‘Europa’ was commissioned by the Auckland Philharmonia. The work was first performed by the Dalewool Auckland Brass and the Auckland Philharmonia conducted by Miguel Harth-Bedoya on 13 June 2002 in the Auckland Town Hall.

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John Rimmer  

Explorations-Discoveries

Duration: 20' 00" Year: 1971, r. 2012
concerto for horn and orchestra

  • Instrumentation
    3[1.2.picc.]23[1.2.bass cl.]2; 4331; timp., 3 perc., harp, solo horn, strings
  • Programme Note

    A concerto for horn and orchestra, Explorations- Discoveries was composed in the early 1970’s at a time when the James Cook bicentenary was being celebrated. Just as the famous sailor explored and discovered, so to the composing of the work.

    The work is structured in five interrelated sections contrasting fast with slow preceded by a slow introduction and concluding with a slow coda. All these sections orbit a central palindrome.

    The horn is treated both lyrically and dramatically. Its music covers a wide range of pitch and dynamics and the instrument frequently is in dialogue with the orchestral horns.

    Explorations – Discoveries was first performed in 1975 at a studio recording by the New Zealand Symphony Orchestra conducted by Alex Lindsay with Marcel Lambert as the horn soloist.

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Douglas Mews  

Joshua

Duration: 21' 00" Year: 1973
concerto for trombone and full orchestra

Lyell Cresswell  

Kaea

Duration: 20' 00" Year: 1997
trombone concerto

  • Instrumentation
    2222; 2210; strs
  • Programme Note

    First performed by the Scottish Chamber Orchestra conducted by Joseph Swenson with Christian Lindberg as soloist in St. Andrews 18 February 1998.

    ‘Kaea’: a wooden Maori war trumpet, somewhere between four and six feet in length with a diameter of about one inch at the blowing end widening to about eight inches at the bell. It was made of hollow sections of wood lashed together with a flax cord. Wedges of wood were glued to the bell to amplify and direct the sound. Inside the bell end it was fitted with a tongue or vibrating reed. The sound was loud and booming and was used to raise the alarm in times of danger or to terrify the enemy by shouting curses through it.

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