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32(ca)22; 42cornets231, timpani, perc, cannon, strings– ie same instrumentation as 1812 Overture by Tchaikovsky plus piano

• Larry Pruden: Collected Edition Volume 7 - works for orchestra (III) 

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• Pruden: 1218; facsimile 

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fl. (3-3rd dbl picc.), ob. (3-3rd dbl CA), cl. in A (3-3rd dbl bass cl.), bsn (3-3rd dbl contra.), alto sax.; 4,3 (trumpets in C), 3,1; timp., perc. (5), hp, cel., pno; strings. Percussion includes tri., tambourine, sus. cymbal, clash cymbal, gong, xylophone, glock., bells, woodblk, claves, rattle, whip, side drum, bass drum.

• Lilburn: A Birthday Offering; computer-set  

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• Lilburn: A Birthday Offering; facsimile  Year: 1991 

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• Douglas Lilburn: A Song of Islands  Year: 1987 

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• Lilburn: Prodigal Country  Year: 1987 

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• Lilburn: Prodigal Country  Year: 1987 

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• Douglas Lilburn: Orchestral Music  Year: 1995 

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• Douglas Lilburn: Orchestral Works   Year: 2004 

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3 piccolo 3 cor anglais 3 bass clarinet 3 contrabassoon, 4431 timpani, 3 percussion (xylophone, side drum, woodblock, triangle, suspended cymbal, bass drum, large tamtam) hp; strs

• Jagger: A New Day Dawns; facsimile 

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• Jagger: A New Day Dawns; facsimile 

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During 2007 I spent a lot of time making field recordings of background noise in Paris, and analysing the spectral and rhythmic content of those recordings. I found the more I listened to my recordings, the more musical material I found hidden in these background hisses and hums, chatterings and otherwise banal noises: rhythms, mysterious melodies, energies and harmonic tensions. While working on this commission for the NZSO, I decided to try to capture the intrinsic musical essences I could hear in my field recordings, and interpret those sounds in an orchestral context, with the juxtaposition of the original noise recordings finding musical relationships in the orchestral counterpart. The resulting piece is a conjuring of various energies, or furies, caught in the background noise of Paris, and finding their way into the back of my throat to be sung into a quiet fury.

Lissa Meridan

• Meridan: a quiet fury; computer-set 

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• Meridan: a quiet fury; computer-set 

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• Meridan: a quiet fury; computer-set 

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• Meridan: a quiet fury; computer-set 

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• Meridan: a quiet fury; electronic part 

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• Meridan: a quiet fury; electronic part 

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(1)2222; 2200; perc., strings. Percussion (1 player): Wind chimes, 3 timp, suspended cymbal

A short orchestral fanfare, describing the flight of the albatross, a famous resident of Dunedin Peninsula.

• Ritchie A.: Albatross in Flight; facsimile 

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2*2*2*2*;4331;Timp 2p;Hp;Str (min:6.5.4.3.2)

Antonyms of Trust is a poem about water; about how our water is being stolen and degraded, about the many New Zealand rivers with signs saying “do not swim – may cause illness” or the dry riverbeds surrounded by farmland with constantly pumping pivot irrigators. “Once upon a better time, the poor man’s wine flowed beneath our feet and bubbled up between the streets…”

• Adams, C.: Antonyms of Trust; computer-set 

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• Adams, C.: Antonyms of Trust; computer-set 

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• The APO Composers' Workshop 2010 

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3333; 4331; timp, perc (4), hp; strs (12,12,8,8,6)

For full orchestra, this work has been performed by the New Zealand Symphony Orchestra on tours to Australia and Hong Kong.

• Rimmer: At the Appointed Time; computer set 

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• Rimmer: At the Appointed Time; facsimile 

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• Rimmer: At the Appointed Time; computer-set 

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• Lilburn: Symphony No. 2 and other works  Year: 1976 

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• Lilburn: Symphony No. 2 and other works  Year: 1976 

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2(pic:pic)+pic.2+ca.2(bcl)+Ebcl.2+cbn / 4.3.3.1 / timp.4perc / hp / pf / str

• Gareth Farr: Ruaumoko 

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3333; 4331; timp., perc., hp; strings.

• Farquhar: Beyond...; computer set 

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• Farquhar: Beyond...; computer-set 

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• Farquhar: Beyond; computer set 

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2222; 42211; 3 perc.; 4 cymbals; cl; strings

It is impossible to live in Wellington without paying attention to its environment, or the environment paying attention to you. Equally, it is impossible to leave without carrying an interior imprint of its sharp green hills, scudding clouds, dragon sea, and particularly for me, those days when it suddenly all stops leaving the city suspended between a hush of blue sky and a seemingly frozen harbour. Blue Kisses Green is somehow ‘about’ this elemental ferociousness, delicacy, and beauty.

• Dugal McKinnon: Blue Kisses Green (Mono) 

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• McKinnon: Blue Kisses Green (Stereo) 

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• McKinnon: Blue Kisses Green 

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• McKinnon: Blue Kisses Green; computer-set 

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• McKinnon: Blue Kisses Green; computer-set 

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• McKinnon: Blue Kisses Green; computer-set 

  Score and parts | Hardcopy - computer set