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32(ca)22; 42cornets231, timpani, perc, cannon, strings– ie same instrumentation as 1812 Overture by Tchaikovsky plus piano

• Larry Pruden: Collected Edition Volume 7 - works for orchestra (III) 

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• Pruden: 1218; facsimile 

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fl. (3-3rd dbl picc.), ob. (3-3rd dbl CA), cl. in A (3-3rd dbl bass cl.), bsn (3-3rd dbl contra.), alto sax.; 4,3 (trumpets in C), 3,1; timp., perc. (5), hp, cel., pno; strings. Percussion includes tri., tambourine, sus. cymbal, clash cymbal, gong, xylophone, glock., bells, woodblk, claves, rattle, whip, side drum, bass drum.

• Lilburn: A Birthday Offering; computer-set  

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• Lilburn: A Birthday Offering; facsimile  Year: 1991 

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• Douglas Lilburn: A Song of Islands  Year: 1987 

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• Lilburn: Prodigal Country  Year: 1987 

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• Lilburn: Prodigal Country  Year: 1987 

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• Douglas Lilburn: Orchestral Music  Year: 1995 

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• Douglas Lilburn: Orchestral Works   Year: 2004 

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3 piccolo 3 cor anglais 3 bass clarinet 3 contrabassoon, 4431 timpani, 3 percussion (xylophone, side drum, woodblock, triangle, suspended cymbal, bass drum, large tamtam) hp; strs

• Jagger: A New Day Dawns; facsimile 

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• Jagger: A New Day Dawns; facsimile 

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During 2007 I spent a lot of time making field recordings of background noise in Paris, and analysing the spectral and rhythmic content of those recordings. I found the more I listened to my recordings, the more musical material I found hidden in these background hisses and hums, chatterings and otherwise banal noises: rhythms, mysterious melodies, energies and harmonic tensions. While working on this commission for the NZSO, I decided to try to capture the intrinsic musical essences I could hear in my field recordings, and interpret those sounds in an orchestral context, with the juxtaposition of the original noise recordings finding musical relationships in the orchestral counterpart. The resulting piece is a conjuring of various energies, or furies, caught in the background noise of Paris, and finding their way into the back of my throat to be sung into a quiet fury.

Lissa Meridan

• Meridan: a quiet fury; computer-set 

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• Meridan: a quiet fury; computer-set 

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• Meridan: a quiet fury; computer-set 

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• Meridan: a quiet fury; computer-set 

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• Meridan: a quiet fury; electronic part 

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• Meridan: a quiet fury; electronic part 

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2 Fl, Picc, Ob, 2 Cl, Bsn, 2 Fr Hn, Timp, Harp, Strings

For chamber orchestra consisting of 2 flutes and piccolo, oboe, 2 clarinets, bassoon, 2 horns; timpani, harp or piano; and strings. Commissioned by the Manawatu Sinfonia with funding from The Arts Council of New Zealand/Toi Aotearoa. Duration approximately 14 minutes.

New Zealanders lives are very much influenced by the moods of nature, Maori mythology and European settlement. So this piece may evoke in the listeners imaginations, seascapes, bush scenes, majestic mountains, and in the middle section, the disruptive influence of civilization.

• Caskie: A Song of Aotearoa; computer-set 

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• Caskie: A Song of Aotearoa; computer-set 

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• Music of the Americas and the Antipodes 

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A Village Wedding combines two different conceptual approaches; that of the program piece wherein images or activity is described by music; and that of the concerto grosso, a Baroque form which both collectively and individually showcases the players of an ensemble. In the latter case, the piece would seem to fulfill many if not all of the 18th-century requirements. After an overture, movements based on dance rhythms ensue, including the Pavane, March, Gigue, and Rigadoon. Yet the material is cast in a mold that is necessarily programmatic. The Overture, with its opening solemnity, birdsong trills, and developing energy, is intended to describe the bright Sunday morning of a country village, along with the excitement and bustle of wedding preparations. The _Meditation_’s searching cadenza and pensive sweetness exhorts the attendants to send out their blessings to the bride and groom, while the Processional calls the wedding party to the altar. The Dance at the end paints a fiddler’s paradise of flying knees and elbows to jigs and reels as the whole village joins in the revelry.

The piece is dedicated to the composer’s fiancée Erica, and acknowledges with gratitude and appreciation the dedication and excellence of the members of the YPCO.

• Goss: A Village Wedding; computer-set 

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• Goss: A Village Wedding; computer-set 

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• Goss: A Village Wedding; computer-set 

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• Thomas Goss: A Village Wedding 

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• NZBC Schola Musica 

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• NZ Flora Series Volume 3  Year: 1972 

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(1)2222; 2200; perc., strings. Percussion (1 player): Wind chimes, 3 timp, suspended cymbal

A short orchestral fanfare, describing the flight of the albatross, a famous resident of Dunedin Peninsula.

• Ritchie A.: Albatross in Flight; facsimile 

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• Lilburn: Allegro for Strings; computer-set 

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• Lilburn: Allegro for Strings; computer set 

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• Aotearoa - Orchestral and String Music by Douglas Lilburn 

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• NZBC Schola Musica 

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• Lilburn/Watson/Pruden: New Zealand Chamber Orchestra  Year: 1993 

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