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3[1.alto.3/picc]3[1.2.ca]3[1.2.bs cl]3[1.2.contra], 4331, timp., 2 perc., piano/celestra, harp, strings[14.12.10.8.6]

The overall conception of the piece is underpinned by an evolving, wave-like movement – continuous cycles stretching/compressing/proliferating. There is a strong connection to the sea, as in [… and…11], composed in 2002. A passacaglia of seven chords, gradually permutating until they eventually assemble into reverse order, form the ground or ‘canvas’. The various textural and linear surfaces of the piece all emerge from this ground as reflections, extensions, compressions, or distillations of the core material. Quarter-tones (division of the chromatic scale into 24 tones instead of the usual 12) enrich and intensify the harmony while rendering it more tactile and less pitch-defined.

Review:

“The 7-minute a gentle infinity…is both atmospheric and deft in Ker’s handling of a large orchestra, subtly dynamic (not least in the use of percussion), edgily communicative, and vibrant in its imagery; a piece full of good things, arguably cut off prematurely. Conducted by Pavel Kotla, the LSO once again suggested that Ker (in attendance) is a composer to watch out for.”

-Colin Anderson, www.classicalsource.com

• Dorothy Ker: a gentle infinity - hardcopy score 

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• Buchanan: A Matter of Timing; computer-set 

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A Musical Party was commissioned by the New Zealand Accordion Association (NZAA) to commemorate their 30th anniversary in June 2001. The weekend and Musical Party was dedicated to Silvio De Pra, honouring him for his outstanding contribution to the accordion in New Zealand. He has chaired the Accordion Examination Board of NZ Inc. since its inception in 1972 and been chief examiner since 1992.

A Musical Party was premiered by a massed accordion orchestra and conducted by the composer, Gary Daverne. It was later revised and arranged for solo accordion and symphony orchestra, which is the version that appears here.

• Daverne: A Musical Party; computer-set 

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• Gary Daverne: Rhapsody  Year: 2007 

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32(1)2(1)2(1); 4331; timp. (with sus. cymbal), percussion (1: large tam-tam, ocean drum, two tongue drums; 2: bass drum, claves; 3: sus. cymbals, large tam-tam; 4 (optional): wind machine); harp, piano; strings

• Crawford: A Place to Lose and Find Yourself; computer-set 

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2222, 4331, percussion, timpani, harp, strings

The title for the lyrical orchestral work was suggested by the main theme which gives the effect of moving in a step-like manner. The work is reflective – almost a nocturne…

• Twomey: A Time Before; computer-set 

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• Ray Twomey: Music for Orchestra and Carillon 

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• Reflections - Music Composed by Ray Twomey 

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• Ray Twomey: High Valley and A Time Before 

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• Ray Twomey: The Spirit of the Land 

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picc, 2fl, 2ob, 2cl, alto cl, bs cl, ten sax, bari sax, bsn, 2tpt, 2hn, 3tbn, euph, tba, timp, vib, xyl

• Rimmer: Autumnal Alleluias; computer-set 

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3222; 4231; timp; 2 perc: glockenspiel, vibraphone, large suspended cymbal, small triangle, large triangle, wind chimes, bass drum; harp; strings

• Lodge: Aër; computer set 

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• Lodge: Aer; computer-set 

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• Martin Lodge: Aër; audio 

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2222; 4331; timp; 2 perc; hp; strs

• Karlo Margetic: Bioluminescence - hardcopy score 

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• 2006 NZSO/Todd Corporation Young Composer Awards  Year: 2006 

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2222 4231 timp 2perc strings

• Hextall: Bridge of Remembrance; computer-set 

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• 2006 NZSO/Todd Corporation Young Composer Awards  Year: 2006 

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flute, oboe, clarinet, bass clarinet; horn, trumpet, trombone; 2 violins, viola, cello, double bass

• Lyell Cresswell: Con Fuoco - hardcopy score 

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