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Originally, A Jazz Burlesque was composed as a piano solo. It was later arranged for accordion trio, then for accordion orchestra. This string arrangement followed for the all female string ensemble ‘String Silhouette’.

• Daverne: A Jazz Burlesque; computer-set 

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• Daverne: A Jazz Burlesque; computer-set 

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• Gary Daverne: Gallipoli 

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• Taylor: antiphony; computer-set 

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• Taylor: antiphony; computer-set 

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• Taylor: antiphony; computer-set 

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• Taylor: antiphony; computer-set 

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Anzacs Remembered is a setting of a verse from For the Fallen by Laurence Binyon spoken each 6pm at RSA’s throughout Australia and New Zealand.

They shall grow not old, as we that are left grow old:
Age shall not weary them, nor the years condemn.
At the going down of the sun and in the morning
We will remember them.
- Laurence Binyon

• Rimmer: Anzacs Remembered; computer-set 

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• Rimmer: Anzacs Remembered; computer-set 

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• Rimmer: Anzacs Remembered; computer-set 

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• Rimmer: Anzacs Remembered; computer-set 

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This piece was arranged upon request from the Auckland Philharmonia Orchestra, for their 2009 ‘APO for Kids’ concerts.

• Audain: Arioso; computer-set 

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• Audain: Arioso; computer-set 

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• Audain: Arioso; computer-set 

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• Chris Archer: Aroha - hardcopy score 

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• Chris Archer: Aroha - downloadable PDF 

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• The Jubilate Singers: Southern Landscapes  Year: 2011 

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Much of my work is a marriage (or balancing act) between the Western art music tradition and my own position in time and place. Along with many forms, I have had a love for sacred choral music from Mediaeval times through to the present, but in not being a Christian, I have felt a reluctance to set text in which I don’t fully believe.

In reading the work of spiritual author, Eckhart Tolle, I have discovered a new connection with biblical texts. Tolle quotes the line “Be still, and know that I am God” in his book A New Earth, as an example of a universal truth that is at the heart of all religions and belief systems. In this text “God” may be seen as the Christian God, an omnipresent spiritual dimension or the universe personified. This line, and the rest of the text, is from Psalm 46. In setting this text I have found an opening into the world of sacred choral music that aligns with my own beliefs.

Anthony Young

• Young, A.: Be Still; computer-set 

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• Young, A.: Be Still; computer-set 

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• Anthony Young: Be Still; audio 

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• Works by Anthony Young 

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In 2010, I co-wrote The Lover’s Knot with playwright Renee Liang as part of the 2010-2011 Auckland Philharmonia Orchestra Composer Workshops, which led to a performance with actor Stuart Devenie and conductor Kenneth Young. Stuart played the role of Walter Bolton, the last man given the death penalty in New Zealand, in the hours before his execution.

Various instruments represent various characters in this story – clarinet for Bolton’s flighty paramour Florence, contrabassoon for the stench of death, and harmon-muted trombones for the justice system. Bolton’s ailing wife Beatrice is represented by extensive solos for the cor anglais. At the request of Lee Martelli, Education Manager of the APO, I excerpted one of these into a demonstration piece for an education concert.

• Ellis: Beatrice; hire set 

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• Ellis: Beatrice; computer set 

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By the Rivers of Babylon is a vocal setting of Psalm 137

• Graham Parsons: By the Rivers of Babylon (SATB) - hardcopy score 

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• Graham Parsons: By the Rivers of Babylon (SATB) - downloadable PDF 

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By the Rivers of Babylon is a vocal setting of Psalm 137

• Graham Parsons: By the Rivers of Babylon (SSA or TTB) - hardcopy score 

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• Graham Parsons: By the Rivers of Babylon (SSA or TTB) - downloadable PDF 

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By the Rivers of Babylon is a vocal setting of Psalm 137

• Graham Parsons: By the Rivers of Babylon (SSA or TTB) - downloadable PDF 

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