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Anzacs Remembered is a setting of a verse from For the Fallen by Laurence Binyon spoken each 6pm at RSA’s throughout Australia and New Zealand.

They shall grow not old, as we that are left grow old:
Age shall not weary them, nor the years condemn.
At the going down of the sun and in the morning
We will remember them.
- Laurence Binyon

• Rimmer: Anzacs Remembered; computer-set 

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By the Rivers of Babylon is a vocal setting of Psalm 137

• Graham Parsons: By the Rivers of Babylon (SATB) - hardcopy score 

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By the Rivers of Babylon is a vocal setting of Psalm 137

• Graham Parsons: By the Rivers of Babylon (SSA or TTB) - hardcopy score 

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By the Rivers of Babylon is a vocal setting of Psalm 137

• Graham Parsons: By the Rivers of Babylon (SSA or TTB) - downloadable PDF 

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The choral part of this piece was composed at the invitation of the New Zealand Maori Catholic Central Council, as the test piece for their 50th Jubilee Hui Aranga, held in Otaki, Easter 1996.

• McLeod: He Honore, He Kororia; computer-set 

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• McLeod: He Honore, He Kororia; computer-set 

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Laudate Dominum is a setting of Psalm 150, which a psalm in praise of God. It begins with an antiphonal section, Sopranos and Tenors against Altos and Bass before moving into four part harmony.

• Graham Parsons: Laudate Dominum (Psalm 150) - downloadable PDF 

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This is a modern folk song about the history of glass-making in Sunderland. It is part of a collection of songs about the River Wear, “Winter Wear”. It can be performed as a Christmas song, or at other times of year. It is not especially religious.

Glass-making has always played an important role in the cultural and industrial history and soul of Sunderland and the River Wear: Benedict Biscop’s unique use of French glass-makers to fill in the windows of his monastery church, St. Peter’s in the 9th century; the industrial melting pot of the 19th century where the abundant supply of coal from the Durham coalfield, ferried down the River Wear fuelled several industries, most notably steel-making, shipbuilding and glass making; the European monopoly of Joblings Glassworks making heatproof oven-ware out of Pyrex in the mid- 20th century; and the National Glass Centre of today in which students at the University and glass artists from around the country craft enchanting art works. The first people to see each of these phenomena must have been transfixed by the novelty they were witnessing. This song portrays the response to each of these first encounters with the magical glass.

• Camm: Magical Glass; computer set 

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• Camm: Magical Glass; computer set 

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This is a modern folk song about the history of glass-making in Sunderland. It is part of a collection of songs about the River Wear, “Winter Wear”. It can be performed as a Christmas song, or at other times of year. It is not especially religious.

Glass-making has always played an important role in the cultural and industrial history and soul of Sunderland and the River Wear: Benedict Biscop’s unique use of French glass-makers to fill in the windows of his monastery church, St. Peter’s in the 9th century; the industrial melting pot of the 19th century where the abundant supply of coal from the Durham coalfield, ferried down the River Wear fuelled several industries, most notably steel-making, shipbuilding and glass making; the European monopoly of Joblings Glassworks making heatproof oven-ware out of Pyrex in the mid- 20th century; and the National Glass Centre of today in which students at the University and glass artists from around the country craft enchanting art works. The first people to see each of these phenomena must have been transfixed by the novelty they were witnessing. This song portrays the response to each of these first encounters with the magical glass.

• Camm: Magical Glass; computer set 

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• Camm: Magical Glass; computer set 

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Originally written for SSA choir and piano, this work was later re-arranged by the composer for SSATB choir and piano in 2003 Robert Aburn and the choristers of the Christ’s College Chapel Choir.

• Richard Oswin: Sanctus (SATB version) - hardcopy score 

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Originally written for SSA choir and piano, this work was later re-arranged by the composer for SSATB choir and piano in 2008 for Andrew Withington and the New Zealand Secondary Students’ Choir.

• Richard Oswin: Sanctus (SSATB version) - downloadable PDF 

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