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Yvette Audain  

A Charleston Kick With Steel Caps – alto sax quartet version

Duration: 06' 00" Year: 2011
for four alto saxophones

Carol Shortis  

An Tuiream Bais

Duration: 06' 00" Year: 2009
a Gaelic death dirge for a cappella SSAATTBB choir

  • Programme Note

    The Carmina Gadelica, known in Gaelic as Ortha nan Gaidheal, is a six-volume collection of orally-transmitted prayers, poems, blessings and other material, collected by the folklorist Alexander Carmichael in the Highlands and Islands of Scotland in the second half of the nineteenth century. Carmichael subsequently translated this material, and edited the first two volumes. The death dirge An Tuiream Bais was published in the third volume, edited by Alexander’s grandson, James Carmichael Watson. I have set the first, fourth, fifth and sixth verses in the original Gaelic language.

  • Availability

Eve de Castro-Robinson  

Commemoration

Duration: 03' 00" Year: 1988
for solo cello

David Hamilton  

Count Me the Stars

Duration: 03' 10" Year: 2008
for SSAA choir and guitar

  • Programme Note

    This short work for treble-voice choir and guitar sets a poem by Australian poet Kylie Johnson. Kylie is a visual artist as well as a published poet. Her website www.paperboatpress.com says:
    During her study of Visual Arts and Film at QUT in Brisbane (1990-1993) Kylie met a group of artists and potters and became part of the group known as Amfora. Amfora held many group shows throughout its 12-year run, of which Kylie was a part of all.

    It was through these years that Kylie also published three books of her poetry: Distant Shoes (1992), forty-eight minus one (1997) and the ivory birds (2000), the poetry book launches also coincided with solo exhibitions of her painting and collage work. In 1996 Kylie set up her business paper boat press, in its early stages creating a boutique greeting card range featuring her own whimsical one or two line poems. This has now grown to include ceramic ornaments, ceramic jewelry, original illustrations and functional ceramic vessels.

    In recent years Kylie has joined forces with a group of Brisbane artists to form the Umbrella Collective. The six women work together towards group shows and sales of their work as well as creating a dialogue and support network for all aspects of their work and creative business.

    Count Me the Stars sets a text taken from her most recent poetry collection of the same name. The poem is untitled, so I used the first line as a title for my setting.

  • Availability

Juliet Palmer  

Five

Duration: 07' 36" Year: 2008
for 2 pianos and percussion

Anthony Ritchie  

Haere Mai Ra

 Year: 1988
for SSA choir, flute, cello and piano

Natalie Hunt  

Hawk

 Year: 2010
for clarinet quartet

Pepe Becker  

Hoquetus Sanctus

Duration: 04' 20" Year: 2008
for vocal octet

  • Instrumentation
    SSAATTBB with clapping and/or hand percussion (stones or wooden clap-sticks)
  • Programme Note

    This work was written as a commission for Baroque Voices, with funding from Creative NZ, to be premiered at the Baroque Voices “Alleluia: a newe work!” concert in May 2008. The concept of the performance is to juxtapose Contemporary New Zealand works with Medieval European ones – and in this case, Hoquetus Sanctus pairs well with Hoquetus David (written by Guillaume de Machaut in the 14th Century), as it explores the idea of hocket, where vocal lines are ‘shared’ between different voices, sometimes jumping from one to another and overlapping each other – however, it can equally well be performed in any choral concert.

    Hoquetus Sanctus is a setting of the Latin Sanctus text for a capella chamber choir or small vocal ensemble.

  • Availability

Philip Norman  

Hunger Songs

Duration: 07' 00" Year: 1989
for unaccompanied SSA choir

Natalie Hunt  

Kaka

 Year: 2010
for clarinet quartet