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Carol Shortis  

An Tuiream Bais

Duration: 06' 00" Year: 2009
a Gaelic death dirge for a cappella SSAATTBB choir

  • Programme Note

    The Carmina Gadelica, known in Gaelic as Ortha nan Gaidheal, is a six-volume collection of orally-transmitted prayers, poems, blessings and other material, collected by the folklorist Alexander Carmichael in the Highlands and Islands of Scotland in the second half of the nineteenth century. Carmichael subsequently translated this material, and edited the first two volumes. The death dirge An Tuiream Bais was published in the third volume, edited by Alexander’s grandson, James Carmichael Watson. I have set the first, fourth, fifth and sixth verses in the original Gaelic language.

  • Availability

David Hamilton  

Ecce beatam lucem

Duration: 02' 20" Year: 2012
for SSAATTBB unaccompanied choir

  • Programme Note

    The text of this work comes from the 40-part motet of the same name by Alessandro Striggio (c1540-1592). His work was the likely inspiration for the better-known 40-part motet of Thomas Tallis “Spem in alium”. It is believed that Striggio wrote the text himself. Striggio wrote both sacred and secular music, and all his surviving music is vocal (although often with instrumental doublings clearly indicated).

    “Ecce beatam lucem” is a hymn of praise to the sun and more generally to all of creation, and by analogy to the power of God shown through his creation.

    This piece was written for Choralation (Westlake Girls’ and Westlake Boys’ High Schools) and conductor Rowan Johnston who had requested a ‘fireworks’ piece – something short, bold and dramatic.

  • Availability

David Hamilton  

Holy Night

Duration: 04' 15" Year: 2000
for 8 part treble choir with electronic sounds

Pepe Becker  

Hoquetus Sanctus

Duration: 04' 20" Year: 2008
for vocal octet

  • Instrumentation
    SSAATTBB with clapping and/or hand percussion (stones or wooden clap-sticks)
  • Programme Note

    This work was written as a commission for Baroque Voices, with funding from Creative NZ, to be premiered at the Baroque Voices “Alleluia: a newe work!” concert in May 2008. The concept of the performance is to juxtapose Contemporary New Zealand works with Medieval European ones – and in this case, Hoquetus Sanctus pairs well with Hoquetus David (written by Guillaume de Machaut in the 14th Century), as it explores the idea of hocket, where vocal lines are ‘shared’ between different voices, sometimes jumping from one to another and overlapping each other – however, it can equally well be performed in any choral concert.

    Hoquetus Sanctus is a setting of the Latin Sanctus text for a capella chamber choir or small vocal ensemble.

  • Availability

John Ritchie  

Lord, when the Sense of Thy Sweet Grace

Duration: 04' 00" Year: 1957
for SSATB choir

Andrew Baldwin  

O vos omnes

Duration: 03' 45" Year: 2006, r. 2007
for SSATBB choir

  • Instrumentation
    soprano soloist from choir
  • Programme Note

    O Vos Omnes was written for the choir in mid-2006 in the first year of the composer’s residency at the Cathedral, and is scored for SSATBB choir with soprano soloist creating a rich harmonic texture, and evoking a solemn mood. Hallmarks of the composer’s style are evident here: the use of the floating soprano solo; the doubling of the melodic material in soprano and tenor or alto and bass; the six part texture; the deft use of dark keys; the rather long musical phrases and paragraphs; modal harmonies with added tones; and an always palpable emotion in the music.

  • Availability

David Griffiths  

Praise the Lord

Duration: 02' 00" Year: 1969
introit for SATB choir

Lyell Cresswell  

Seven Shaker Songs

Duration: 15' 00" Year: 1980
for baritone and piano