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Douglas Lilburn  

Sings Harry

Duration: 10' 00" Year: 1954
song cycle for baritone and piano

  • Programme Note

    Sings Harry, a setting of six poems by Denis Glover, tells of an endearingly idiosyncratic New Zealander. It is a prime example of Lilburn’s subtle handling of poetic texts. The self-reflective tone of the protagonist, and the slightly complex narrative mode, are established in the first song: it is Harry’s voice that we hear, Harry singing his home-made song cycle; yet a guiding narrator is ever present to tells us so. One’s awareness of this narrative voice is enhanced throughout the cycle by the recurrent falling-third motif at the phrase ‘sings Harry’, and by the composer’s frequent use of a vocal reciting tone or a pitch to which the voice is drawn. It is nonetheless easy to become absorbed in the various voices of Harry, which range from the crusty critic to the carefree swaggerer. Lilburn captures the fluctuating temporality and unpredictability of his subject with great sensitivity and humour. In the final song, a delightful recollective melange of landscapes and uncles, this is achieved by means of recurrent motifs (the ‘river running by’) and reflective pauses. Sings Harry was released in 1960 on a label called Kiwi New Zealand Composer Edition. It was the third work by Lilburn to be recorded and the sole piece on a 45 rpm disc. Programme note: Nancy November

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