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Anthony Ritchie  

Beginnings

Duration: 09' 00" Year: 1987
for orchestra

  • Instrumentation
    2(1pc)222; 2200; timp (4),2perc(bs-dr,s-dr, tamtam, xylo, glock, sus cym); strs
  • Programme Note

    ‘Beginnings’ was commissioned by Auckland Philharmonia. It was inspired by the birth of Ritchie’s son Tristan. It depicts the slowly mounting tension of the labour, through to the birth itself. There is a gradual growth in the music from small, delicate gestures into wild and pulsating ones towards the end. The child is represented by a ‘little Tristan waltz’ which eventually gets caught up in the musical frenzy. The waltz sequence imposes order on the music, which tends to be fragmentary and changeable. There are some echoes of Bartok and Debussy in this early work, and it presents a good challenge for a professional orchestra.

  • Availability

Jack East  

Caravan

Duration: 08' 00" Year: 1982
for chamber ensemble

Ross Harris  

Contours

Duration: 07' 00" Year: 1988
for horn and piano

Gillian Whitehead  

Five Bagatelles

Duration: 07' 00" Year: 1986
for solo piano

Ross Harris  

In Memory G.B.

Duration: 05' 00" Year: 1985
for bassoon and piano

  • Programme Note

    G.B. (Geof Burridge) a cousin of mine – the only member of my family who had any idea of what my music was about – who was my ‘whanau’ during the writing of Waituhi – he was headmaster of Tokoroa High and set up the first multicultural marae in a New Zealand school. He died suddenly in his early 40s in 1985. Oh! and the notes G and B do play a part in the piece. It was written for bassonist Michael Burns who was a student at VUW at the time.

  • Availability

Chris Cree Brown  

In Sympathy

Duration: 07' 00" Year: 1981
music-theatre-sculpture for solo trumpet

  • Instrumentation
    3 trumpets and duck callers (one performer)
  • Programme Note

    The film, In Sympathy, is based on a piece especially written for Mary Robbie, and was made to be a document of the inter-media work. The film presents Mary playing three trumpets in an unconventional fashion together with two duck-callers. The work sets out a soundscape of aural gestures, that enable the image and sounds to adopt a persona, and with which (whom) the performer interacts.

  • Availability

Ross Harris  

Incantation

Duration: 08' 00" Year: 1981
For Soprano and Tape

David Hamilton  

Kaleidoscope

Duration: 09' 00" Year: 1987
for wind octet

Leonie Holmes  

Landscapes for Orchestra

Duration: 09' 00" Year: 1987

John Elmsly  

Movement

Duration: 08' 00" Year: 1982
for flute and percussion