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Percussion: vibraphone, snare drum, tom-toms (4), suspended cymbal, bass drum, timpani (4)

• Bisley: Come Back Safely; facsimile 

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• Bisley: Come Back Safely; facsimile 

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• Brigid Bisley: Come Back Safely; audio 

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• Bisley: Come Back Safely 

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• Women Composers: Grenfell, Exley, Bisley 

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• Brigid Bisley: Come Back Safely 

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can be sung by contralto

• Ritchie A.: Two Songs for Mezzo-Soprano and Piano; computer set 

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• Ritchie A.: He moemoea; facsimile 

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• Anthony Ritchie: He Moemoea; Song; Milking Before Dawn; audio 

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• New Zealand Poets in Song - Anna and Matthew Leese sing songs by Anthony Ritchie  Year: 2008 

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This song originally appeared in From the Southern Marches by Ritchie, and has been re-arranged for solo mezzo soprano and piano. It is a lyrical song, describing a rural scene in Otago, using Ruth Dallas’ iconic poem.

• Ritchie A.: Milking Before Dawn; Computer Set 

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• Ritchie A.: Milking Before Dawn; computer-set 

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• Anthony Ritchie: He Moemoea; Song; Milking Before Dawn; audio 

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• New Zealand Poets in Song - Anna and Matthew Leese sing songs by Anthony Ritchie  Year: 2008 

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• Ritchie A.: Two Songs for Mezzo-Soprano and Piano; computer set 

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• Ritchie A.: Song; facsimile 

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• Anthony Ritchie: He Moemoea; Song; Milking Before Dawn; audio 

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• New Zealand Poets in Song - Anna and Matthew Leese sing songs by Anthony Ritchie  Year: 2008 

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flute doubles piccolo and sop ocarina;B flat clarinet doubles bass clarinet; sop sax doubles bass clarinet and sop ocarina; fretless bass; amplified cello and percussion (large suspended cymbal, 6 rototoms, 3 timpani, tamtam)

• Bowater: The Frivolous Cake; facsimile 

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• Bowater: The Frivolous Cake; facsimile 

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• Helen Bowater: The Frivolous Cake; audio 

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• Cresswell: Three Songs; facsimile 

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• Lyell Cresswell: Three Songs; audio 

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This song cycle was written as a thank-you piece for Lesley Graham, who had sung lead roles in Harris’ operas Waituhi (1984) and Tanz der Schwäne (1989). She suggested Bub Bridger’s texts. As with Dreams Yellow Lions, the poems are couched in the vernacular, in this case with a disarmingly naïve, yet subtle character. The composer saw the challenge here in writing music that was both simple and rich in order to match the subtleties of the text.

• Harris: Wild Daisies; computer-set 

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• Ross Harris; Wild Daisies; audio 

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• Waiteata Collection of New Zealand Music Vol. 4 - Composer Portrait: Ross Harris  Year: 1987 

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