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Gillian Whitehead  

Mata-au

Duration: 12' 00" Year: 2010
for solo clarinet

Alex Taylor  

mindsets

Duration: 07' 00" Year: 2008
for bass clarinet

  • Programme Note

    This set of five miniatures for bass clarinet explores the experiences of different states of mind:

    I. Somnolence, n. a state of drowsiness; a condition of semi-consciousness approaching coma
    II. Sharpness, n. a quick and penetrating intelligence; the cutting ability of an edge
    III. Obstinacy, n. unyielding or stubborn adherence to one’s purpose, opinion, etc.; the trait of being difficult to handle or overcome
    IV. Doubt, n. a feeling of uncertainty about the truth, reality, or nature of something
    V. Vertigo, n. a confused, disoriented state of mind; a dizzying sensation of tilting within stable surroundings

    Each movement has an individual character but together they form a sort of continuum from passive inactivity to driving motion, and from safety to danger.

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Karlo Margetic  

Onion Flavoured Counterpoint

Duration: 01' 00" Year: 2010
a microscore for clarinet quartet

Alexandra Hay  

Part/s

Duration: 06' 40" Year: 2008
three short pieces for B flat Clarinet duo

Tony Ryan  

Scherzo 1994

 Year: 1994
for saxophone quartet

David Hamilton  

Slides 8

Duration: 05' 00" Year: 1987
for solo flute

  • Programme Note

    Returning to the medium of solo flute, this piece was written during 1986 for Elizabeth Hirst who was at that time a sixth form student of the composer at Epsom Girls Grammar School. The piece acts as a kind of summary of the series and angain features the overblowing/tremolo technique extensively. This piece was subsequently absorbed into Passacaglia – a work for flute and strings written for the same soloist.

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John Elmsly  

Sonata

Duration: 10' 00" Year: 1977, r. 2008
for alto saxophone and piano

John Wells  

Sonata for Flute and Piano

 Year: 1993
for flute and piano

Robbie Ellis  

Sonatina for clarinet and piano

Duration: 17' 00" Year: 2009
for B flat clarinet and piano

Chris Cree Brown  

Sound Cylinders

Duration: 09' 00" Year: 1996
for flute and tape

  • Programme Note

    The tape part in ‘Sound Cylinders’ consists mainly of flute sounds that have been altered or modified with the help of a computer. This not only provides a way for the spectral qualities of the flute to be extended in the tape part, but also allows for a singularity in the overall timbral character of the work. The flute part utilises several extended techniques (such as tongue rams). The work attempts to incorporate each of these extended techniques as an integral and integrated part of the overall sound world of the piece. The opening inhale/exhale breathing sounds establishes the nature of the dialogue between the flute and tape parts in the work. ‘Sound Cylinders’ was written for Tony Ferner over the summer of 1996 and 1997.

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