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• Becker: Cancer; facsimile 

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• Pepe Becker: Cancer I: T'amo mia vita; audio 

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• Pepe Becker: Many Waters  Year: 2000 

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• Becker; From the far point of the rising of the sun (Part I)  Year: 2005 

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• Baroque Voices: Brother Sun, Sister Moon  Year: 2011 

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Like many whakataukī, or traditional sayings, he rimu pae noa conveys a rich range of meanings. Literally, it describes seaweed set in motion by the tide. Metaphorically, it also refers the restlessness of a traveller, and the movement of a whole bed of seaweed in the same current alludes to a group of people working in harmony. This in particular has a strong resonance with the collaborative process from which the piece arose. The instrumental ensemble provides a framework, and a backdrop, for the improvisation of the taonga pūoro. At the same time it attempts to maintain its own identity, in conversation with the solo lines. Precisely specified gestural events are distributed in a flexible rhythmic framework,
which aims at a balance between control and spontaneity. I am deeply grateful to Horomona Horo, for a richly rewarding collaboration, and to Richard Nunns, whose work over many years is a deep source of inspiration.

Philip Brownlee

• Brownlee: He rimu pae noa; computer-set 

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• Brownlee: He rimu pae noa; computer-set 

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• Philip Brownlee: He rimu pae noa; video 

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• Philip Brownlee: He rimu pae noa 

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• Two pieces by Philip Brownlee 

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• Dylan Lardelli: Hiki-Iro - hardcopy score 

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• Dylan Lardelli: Hiki-Iro - downloadable PDF 

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  $16.00
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• Dylan Lardelli: Hiki-Iro; audio 

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Taegum; Piri/Se-piri with Tibetan prayer chimes; clarinet in B flat; percussion 1: Changgo, suspended cymbal, Tibetan prayer chimes, two Thai gongs, suspended string; percussion 2: crotales, vibraphone, marimba, bass drum; twelve string gayageum in F; guitar with Tibetan prayer chimes; shaenghwang; cello

• Lardelli: Sent into Silence; computer-set 

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• Dylan Lardelli: Sent into Silence; audio 

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• Lardelli: Sent into Silence 

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• Aurora Australis  Year: 2010 

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flute doubles piccolo and sop ocarina;B flat clarinet doubles bass clarinet; sop sax doubles bass clarinet and sop ocarina; fretless bass; amplified cello and percussion (large suspended cymbal, 6 rototoms, 3 timpani, tamtam)

• Bowater: The Frivolous Cake; facsimile 

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• Bowater: The Frivolous Cake; facsimile 

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• Helen Bowater: The Frivolous Cake; audio 

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Flute/picc., oboe/c.a., B flat/E flat/Bass clarinet, bassoon./contra, sop/alto/tenor saxophone, trumpet 1,2, trombone 1,2, double bass, dbl bass/bass guitar, Greek woodwind, Greek percussion, Percussion 1-4, Tape/Electronics. Some instrumentalists required to vocalise.

• Psathas: Zeibekiko; computer set 

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• John Psathas: "Tecmessa's Lament" from Zeibekiko; video 

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• John Psathas: "Abhisheka" from Zeikiko; video 

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• John Psathas: "Maenads" from Zeibekiko; video 

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• John Psathas: "Seikilos" from Zeibekiko; video 

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• John Psathas: "Doxastiko" from Zeibekiko; video 

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• John Psathas: "Bacchic" from Zeibekiko; video 

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• John Psathas: "Kartsigar" from Zeibekiko; video 

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• John Psathas: "Hymn to the Muse" from Zeibekiko; video 

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• John Psathas: "Percussion Solo" from Zeibekiko; video 

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• John Psathas "Zeibekiko"  Year: 2004 

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• John Psathas/Nederlands Blazers Ensemble: Zeibekiko  Year: 2004 

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  $35.00
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