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Alex Taylor  

deepwalker

Duration: 09' 30" Year: 2011
work for vocalising clarinetist

  • Instrumentation
    solo clarinet
  • Programme Note

    In many ways this is a companion piece to an earlier work, Vivid for solo trumpet, which also sets a powerful, sexually charged poem by Will Christie. But where Vivid is very often overtly violent and forceful in its gestures, deepwalker is mostly much subtler, almost passive-aggressive in outlook. The opening lines of the poem – “the day is a drum that connects these vocal loops with grey traffic circles bridge after bridge” – are mirrored in the cyclical, sometimes elliptical form of the work, loops and circles that play between registers of the clarinet. Sexual tension and aggression bubble away in the background, periodically rupturing the musical surface with piercing, angular outbursts, sometimes in parallel with the rather tender, fluid lines of the low register, and with the spoken text itself. This violent interplay creates a kind of disordered internal conversation, a bizarre hermetic character opening and shutting her windows; a clarinet of many voices.

    Warning: contains coarse language

  • Availability

Chris Watson  

Mandible

Duration: 05' 00" Year: 2005
for solo bass clarinet

  • Programme Note

    Mandible was commissioned and premiered by Andrew Uren in 2005, with performances with 175 East and at the World Bass Clarinet Convention in Rotterdam. Its American premiere took place at the Juilliard School in New York as part of the 2006 Focus! Festival, with bass clarinetist Sean Rice. The work has been studio recorded by Andrew Uren, with engineering by James Dunlop.

  • Availability

Alex Taylor  

mindsets

Duration: 07' 00" Year: 2008
for bass clarinet

  • Programme Note

    This set of five miniatures for bass clarinet explores the experiences of different states of mind:

    I. Somnolence, n. a state of drowsiness; a condition of semi-consciousness approaching coma
    II. Sharpness, n. a quick and penetrating intelligence; the cutting ability of an edge
    III. Obstinacy, n. unyielding or stubborn adherence to one’s purpose, opinion, etc.; the trait of being difficult to handle or overcome
    IV. Doubt, n. a feeling of uncertainty about the truth, reality, or nature of something
    V. Vertigo, n. a confused, disoriented state of mind; a dizzying sensation of tilting within stable surroundings

    Each movement has an individual character but together they form a sort of continuum from passive inactivity to driving motion, and from safety to danger.

  • Availability

Lyell Cresswell  

Triptych

Duration: 09' 00" Year: 1993
for clarinet (B flat and E flat) and piano

Eve de Castro-Robinson  

Undercurrents

Duration: 09' 00" Year: 1987
for clarinet in B flat