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• Wells: A New Zealand Suite; computer set 

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• John Wells: From the Land of the Long White Cloud  Year: 1991 

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Suite of pieces with poems that can be read between movements or omitted.

• Jagger: A Nursery of Pain; facsimile 

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• Ritchie, A: Ashburn Fragments; facsimile 

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• Chamber Vulgarus - Autumn 2011 

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• Madden: Balulalow; computer set 

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“Me and him."

“Title from two showground rides at the Royal Easter Show, Sydney. He wouldn’t come but two of my lesbian buddies took me just the same. Dodgems in the form of a piano concerto. How camp.”

• Sanders, N.: Big Dipper and Little Mouse; facsimile 

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• Norman: Canterbury Rhythms; facsimile 

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• Philip Norman: Orchestral Compositions 

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Commissioned by the Schola Cantorum of Dunedin to celebrate its 125th Jubilee in 1988, this work for for soprano soloist, mixed choir and orchestra sets the first part of S. Francesco d’Assisi’s Canticle of Brother Sun.

The Canticle is an expression of the medieval belief in the beauty, goodness and intelligibility of the created world. It is also an expression of Francis’s own idea of all creation living in a spirit of fraternity and community. This vision of the total reconciliation of humanity with the universe is symbolized in a number of ways. One such is the ordering of the elements in pairs, which combine the masculine and feminine: sun-moon, wind-water, fire-earth.

In this setting, the soprano soloist represents the feminine principle, and the choir the masculine. A version of the work has been arranged for a smaller orchestra, with organ replacing the strings. The work has been described by one critic as “one of the most exciting and satisfying works for choir and orchestra by a New Zealander”, and by another as a work which “will undoubtedly continue to be performed regularly on account of its accessibility and performability”.

• Speirs: Cantico del Sole; facsimile 

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• Speirs: Cantico del sole; facsimile 

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• Speirs: Cantico del Sole; facsimile 

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• Cantico del Sole 

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• Daverne: Caprice; computer-set  Year: 1989 

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• Gary Daverne: Accordion Concert Music 

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“Composition for Solo Viola” explores the gradual growth of material from a single note to long chains of gestures. The soft opening sound, which returns throughout the piece, delineates each of the sections, allowing for clear perception of the process of expansion. Each new section of the piece is generated by overlaying the previous two sections, in such a way so as to expand the material both in time and spatially. “Composition for Solo Viola” was written for and is dedicated to Justine Goode.

• Hall: Composition for Solo Viola; facsimile 

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• Hall: Composition for Solo Viola; facsimile 

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This work for tenor saxophone has been described as a “beautiful and craftsman-like piece…” by Rod Biss, in the NZ Listener; as “growing particularly strikingly from the lilting opening motif and the lurching and drooling phrases which answer it;” by Richard Bolley in Music in NZ and as having “..a strong jazz flavour.” by Philip Brownlee, in Music in NZ.

• de Castro-Robinson: Countercurrents; facsimile 

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• de Castro Robinson: Various Works  Year: 1989 

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• New Zealand Composers  Year: 1994 

  CD
  
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