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Peter Willis  

Plight of the Flightless

Duration: 01' 00" Year: 2010
for clarinet quartet

Rosemary Russell  

Prayer of the Cat

Duration: 02' 48" Year: 2011
for SATB choir

  • Programme Note

    This is an art song that needs some performing flair as the Cat on Noah’s Ark is too proud to ask for food, but is ravenous and dreams of milk and mouse. He is not too hungry to express his perennial hatred of dogs either! It is in F major and has sections in 6/4 and 4/4.
    Mostly SATB with some doubling up in the parts to SSAA or SATTB or SSATBB A cappella.

  • Availability

Chris Watson  

recrudesce

Duration: 03' 00" Year: 2011
for flute, B-flat clarinet and bass trombone

  • Programme Note

    The formula for realising this work:

    - take existing quartet (2010)
    - delete guitar and cello parts
    - rearrange and pare down surviving flute and clarinet parts
    - add bass trombone part

    Why?

    - I’ve been interested in continuous recontextualisation of materials (transformed or unchanged) within single works for some time now; if I rip entire chunks from an existing piece and use them to build something else, to what extent is the resulting work new, and to what extent is it related? – and can this relatedness even be detected? Furthermore, is composing in my usual mode as dependent on such high levels of compositional struggle as I had previously held it to be?
    - but primarily: this is the first work written since the arrival of my son about a year ago; time for composition remains limited and rapid solutions must be found

    Chris Watson

  • Availability

Samuel Gray  

Remembering

Duration: 03' 01" Year: 2010, r. 2011
for female voices and instrumental ensemble

  • Instrumentation
    3 female voices, 2 flute, clarinet, alt saxophone, bariton saxophone, horn in F, trumpet, 2 trombones, tuba, electric guitar, bass guitar, piano, large bass drum
  • Programme Note

    During the Srebrenica massacre – Europe’s largest genocide since the Second World War – over 8,000 Bosnian Muslim men and boys were murdered in a single day. Against the background of increasing anti-Islamic sentiment and rhetoric in numerous countries, composer Samuel Gray wants us to remember the atrocities that have been committed against Muslims in recent European history so as to encourage a more balanced view of Muslim people than the contemporary diatribe that casts all Muslims as terrorists and extremists.

  • Availability

David Hamilton  

Rise! Shine!

Duration: 02' 50" Year: 2010
for SSA choir and piano

  • Programme Note

    This lively spiritual sets a traditional text dealing with the hope of one day being with the Lord and expectation of his imminent arrival.

    Rise! Shine! was written for Silver Swans (conductor Fiona Wilson), one of the choirs at Westlake Girls’ High School (Auckland).

  • Availability

Tabea Squire  

Rund-funk

Duration: 02' 30" Year: 2012
a short work for solo trumpet, suitable for encore or placed into ordinary concert programme

David Hamilton  

Salve Regina

Duration: 04' 30" Year: 2012
for SATB choir

  • Programme Note

    The ‘Salve Regina’ text is one of the four Marian antiphons – texts associated with the Virgin Mary which are used at various liturgical times of the year in the Roman Catholic church. This one is used from Trinity Sunday (the first Sunday after Pentecost) until just before Advent. Originally these antiphons were used in conjunction with psalms, but since the 13th century they have been independent parts of the liturgy.

    This setting begins with one of the Gregorian chants used with this text – the first line for tenors only, and then the second line harmonised. A version of this music reappears later in the work.

    “Salve Regina” was written for the vocal group The Madrigal Companie of New Plymouth. The ensemble had performed a number of works of mine, and when preparing for a concert of Marian music asked about other works of mine. Given that none of my settings of the Magnificat suited the size and combination of voices, I decided to write this short work for the group, aiming for a simple SATB texture with almost no sub-division of parts.

  • Availability

Chris Artley  

Sanctus (SSAA version)

Duration: 03' 30" Year: 2012
for SSAA choir and piano

Chris Artley  

Sanctus (TTBB version)

Duration: 03' 30" Year: 2012
for TTBB choir and piano

Robbie Ellis  

Sheepdog Plainchant

Duration: 01' 30" Year: 2012
for solo voice