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• McLeod: Twelve Maori Songs; computer-set 

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• McLeod: Au Ra Te Awa (I am the River); computer-set 

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• McLeod: Ko Au Ra Te Awa (I am the River); computer-set 

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• McLeod: Twelve Maori Songs; computer-set 

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• Dellow: Kua mutu - Kua mati; facsimile 

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• Dellow: Two songs for women's voices; facsimile 

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• Dellow: Kua mutu - Kua mati; facsimile 

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Nau te Hau is the music from the end-theme of the feature film The Silent One.

• McLeod: Nau te Hau (Thine is the Wind); computer-set 

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• McLeod: Twelve Maori Songs; computer-set 

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Na te Aroha and Taku Hoa Aroha were two love songs commissioned for a play called Nga Puke (The Hills) by Dunedin playwright, John Broughton. This play was performed at the Depot Theatre, Wellington, during the International Festival of the Arts, March 1990.

Nga Puke is a love story between a Maori soldier of the 28th Maori Battalion, Waru Thompson, and a Pakeha nurse, Angie. The setting is both the rural landscape of Porangahau, Hawkes Bay, and then a military hospital in Crete during World War 2. The first song, Nga te Aroha is about Waru and Angie’s exchange of gifts (greenstone and a painting of Nga Puke). The second song, Taku Hoa Aroha, is Angie’s love song for Waru, as he lies wounded in a Crete hospital.

• Fisher: Nga Puke Songs; facsimile 

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• Fisher: Nga Puke Songs; facsimile 

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• Helen Fisher: Various Works 

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• Wells: Now is the Hour (arr.); computer-set 

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• New Zealand National Youth Choir: Te Roopu Rangatahi Waiata o Aotea Roa  Year: 1992 

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• Katene: Pokarekare ana; facsimile 

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• Puoho Katene: Pokarekare ana 

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• Sing Aotearoa 2009 - Songbook 

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• A Royal Occasion - National Youth Choir and Kiri te Kanawa 

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• Buchanan: Reo Karanga for mezzo soprano; facsimile 

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• Buchanan: Reo Karanga for mezzo soprano; facsimile 

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• Lois Clausen: Sounds, Symbols and Snippets; computer-set 

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