SOUNZ

David Farquhar

Duration: 05' 00" Year: 1972, r. 1988
for harmonica and guitar

Duration: 05' 00" Year: 1972, r. 1988
for violin and guitar

Programme Note

An arrangement of the Duet for harmonica and guitar for violin and guitar.
Availability
- Farquhar: Duet for violin and guitar; facsimile
  
  Parts - written | Hardcopy - facsimile
  
  $12.00
  - Quantity:

Duration: 07' 00" Year: 1979
for two clarinets, bassoon and harpsichord

Duration: 06' 00" Year: 1974
for 6 recorders and 2 percussion

Duration: 06' 00" Year: 1971
for violin, viola, cello and bassoon

Programme Note

This work was written in 1971 while Watson was the first Mozart fellow at Otago University. It is, in fact, one of his last completed work before his tragically early death in 1973. The three Bagatelles consist of two scherzos framing a slow movement, sub-titled ‘ostinato’ (repeating bass pattern). Each is quite short but typically complex in style, compressing many motifs and counterpoints into short time frame. They show Watson’s interest in serialism which was apparent in his 3rd String Quartet, as well as a Bartokian sound-world in places. The unusual combination of instruments suggests the work was written for specific performers. According to Gordon Skinner, the bagatelles have only been performed once before in 36 years. They are dedicated to artist Michael Smither, who was Hodgkins fellow at the same time as Watson was Mozart Fellow. Following Watson’s death, Smither wrote in a tribute: He was pedantic, spiky, intolerant, abusive and at times quite crazy with drink and depression, yet he was one of the most sympathetic, real men I have ever met, and I loved him.
Availability
- Watson, A.: Three Bagatelles; facsimile
  
  Parts - written | Hardcopy - facsimile
- Watson, A.: Three Bagatelles; facsimile
  
  Full score | Hardcopy - facsimile
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- Mozart Fellows Concert 2007 - Vol. 1
  
  CD
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- Watson/ Nock/ Cresswell/ Rimmer: Works
  
  Cassette
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