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Yvette Audain  

A Charleston Kick With Steel Caps – alto sax quartet version

Duration: 06' 00" Year: 2011
for four alto saxophones

Graham Parsons  

An Overture in the French Style

Duration: 05' 00" Year: 2012
for recorder consort

Chris Adams  

Arianna's Dance

Duration: 00' 50" Year: 2010
for clarinet quartet

Natalie Hunt  

Hawk

 Year: 2010
for clarinet quartet

Robbie Ellis  

Huff

Duration: 05' 30" Year: 2012
for saxophone quartet

  • Instrumentation
    SATB or AATB saxophone quartet
  • Programme Note

    Huff is both the act of exhaling, and the sound of air moving through a wind instrument. The piece starts as a saxophonist would: after the instrument comes out of its case and gets put together, the first thing the player does is blow warm air.

    I wanted to write something that would work for both professional quartets such as Saxcess, and proficient school ensembles in both SATB and AATB formation. As a composition, it didn’t come together straight away: the 12/8 time signature sidetracked me into a maniacal type of Mexican banda music, which turned into a work called Banda Chiflada. That and Huff are very different in character, but they are still two pieces cut from the same compound time cloth.

  • Availability

Yvette Audain  

January Blues

Duration: 01' 01" Year: 2010
for clarinet quartet 3 Bb clarinets and a bass clarinet

Natalie Hunt  

Kaka

 Year: 2010
for clarinet quartet

Natalie Hunt  

Kawau

 Year: 2010
for clarinet quartet

Yvette Audain  

Meditations Upon Nasreddin Hoca

Duration: 10' 00" Year: 2010
for any Bb saxophone, and piano

  • Programme Note

    This work was purpose-written upon request from one of the schools I work in, as a companion piece for my solo work Hazine (Treasure). The musical material here needed to be in a similar vein: that is, using exotic modality in a Middle Eastern/Mediterranean style, which in this case alternates with a more jazz-fusion-based, contemporary sound.

    The title originates from a tale by the great storyteller Nasreddin Hoca, called ‘Hide and Seek’. The protagonist says at the end “If you do not look in your own heart first, then you will not find wisdom”. My work consists of 5 short, intuitively-composed ‘meditations’, linked together by either solo saxophone cadenza-like passages, or pianistic interludes.

    To reflect a little upon the purpose of this work’s composition, the last of said meditations is actually ‘old wine in new bottles’, so to speak: it revamps and then develops, in a written-out improvisation, a melody and accompaniment I composed when in my final year of high school, seeing as I was writing this for an advanced student in their own final year of high school.

    Yvette Audain

  • Availability

Chris Adams  

Release

Duration: 03' 30" Year: 2011
for bassoon and piano

  • Programme Note

    Release was written just after Chris completed his undergraduate study at the University of Canterbury. Originally composed for his violin teacher Susan Farmer, who premiered the work, Release has since been performed around New Zealand and the United Kingdom. “It was the first piece that I wrote that wasn’t being written for a portfolio, so I didn’t have to write it and it wasn’t being assessed. I just wanted to write something beautiful and following four years of study, I just had this sense of freedom and release.”

    This adaptation for bassoon and piano was written for Ben Hoadley.

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