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Bill Barclay  

1992 Quartet

Duration: 05' 00" Year: 1992
for string quartet

Alan Starrett  

3 movements towards g

Duration: 11' 00" Year: 1980
for string quartet

Juliet Palmer  

A Bridge of Ice

Duration: 25' 00" Year: 1994
for double bass and tape

John Rimmer  

A dialogue of opposites

Duration: 13' 00" Year: 1997
for cello solo

Alan Starrett  

a good opener

Duration: 06' 00" Year: 1981
for solo viola

Ross Carey  

A Little Suite for Yuji and Rieko

Duration: 12' 00" Year: 2003
for violin and piano

Dorothy Buchanan  

A Suite of Melodies: Themes for Friends

Duration: 18' 00" Year: 1987
for cello and organ (or piano)

Christopher Blake  

A Viola on Skye

Duration: 09' 00" Year: 1976
for solo viola

  • Programme Note

    A Viola on Skye was inspired by a trip to Scotland that included a stay on the Isle of Skye in the depths of winter. The initial sketches for the work were made at the time, influenced by the bleak, barren but richly hued landscape. This is personified by the characteristic timbre of the instrument and accounts for the particular sweep and colour of the music.

    The work falls naturally into two parts and can be described as a transition from complexity to simplicity. The first is characterized by a great variety of activity – agitated configurations, short melodic phrases, alternations of sul pont, pizzicato, arco, tremolo and so on. The structure is loosely based on a twelve note series and features a series of twelve groups. These are short sections of music, each emphasising one of the notes of the series. There are only four types of groups used so the first part of the work can be heard as three related variations. The second part of the work uses the series material melodically. It opens with these notes presented in the order and registers established in the preceding part. Ultimately this develops into an extended melodic line with the close of the work attaining the ultimate in simplicity – a repeated note.

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John Psathas  

Abhisheka

Duration: 08' 00" Year: 1996
for string quartet

  • Programme Note

    “The sanskrit equivalent for initiation is abhisheka, meaning ‘sprinkle’, ‘pour’, ‘anointment’. And if there is pouring, there must be a vessel into which the pouring can fall. So at last we might really give up all these complications and just allow some space, just give in. This is the moment when abhisheka – sprinkling and pouring – really takes place, because we are open and are really giving up the whole attempt to do anything, giving up all the busyness and overcrowding. Finally we have been forced to really stop properly, which is quite a rare occurrence for us.”

    (Taken from Chogyam Trungpa’s Cutting Through Spiritual Materialism, from album Nederlands Blazers Ensemble: Zeibekiko, NBECD014).

    The composer writes: ”Drafted immediately after reading a book by the Buddhist guru Chögyam Trungpa, Abhisheka was my first-ever attempt at writing music with space in it. Until this piece, practically everything I had written was ultra-caffeinated, fast, full of notes, and murder on performers. But having been (albeit temporarily) inspired by the great truths and peace in Trungpa’s writing, I found myself navigating slower passages of musical time, as well as exploring the microcosm of inner space between the even intervals of our chromatic tuning system.”

    Abhisheka by John Psathas was chosen for the list of string quartets in 2000 for ‘IAMIC Sounds of the Year’. The composer has also prepared versions of Abhisheka for mixed chamber ensemble, this version performed by Manos Achalinotopoulos, Vangelis Karipis and Nederlands Blazers Ensemble at Paradiso, in Amsterdam in 2004, and for string orchestra (2008).

    Programme note from the New Zealand String Quartet’s 2012 New Zealand at Kings Place concert.

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Larry Pruden  

Adagio

 Year: 1940
for violin and piano