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Horror Vacui refers to the notion that nature abhors a vacuum, and that an empty space will always try to fill itself with gas or liquid. This principle was widely accepted by physicists for a long time until it was disproved in the 17th Century. The term literally means ‘fear of empty space’ and in visual art has come to be associated with works which are completely filled in with detail. In writing this work I was interested in creating a musical space which compulsively wants to fill itself as if the music were being sucked out from the accordion by a vacuum.

The work is dedicated to Martynas Levickis, for whom it was written.

• Simon Eastwood: Horror Vacui - hardcopy score 

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• Simon Eastwood: Horror Vacui - downloadable PDF 

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• Leonie Holmes: Nocturne for Piano - downloadable PDF 

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• Leonie Holmes: Nocturne for Piano - hardcopy score 

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• Six Tone Clock Pieces (XIX-XXIV); computer set 

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• McLeod: Tone Clock Piece XIX 

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• Jenny McLeod: Tone Clock Piece XIX; audio 

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• Six Tone Clock Pieces (XIX-XXIV); computer set 

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• McLeod: Tone Clock Piece XX; computer set 

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• McLeod: Tone Clock Piece XXI; computer set 

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• Six Tone Clock Pieces (XIX-XXIV); computer set 

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• Jenny McLeod: Tone Clock Piece XXI; audio 

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• McLeod: Tone Clock Piece XXII; computer set 

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• Six Tone Clock Pieces (XIX-XXIV); computer set 

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• Jenny McLeod: Tone Clock Piece XXII; audio 

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• McLeod: Tone Clock Piece XXIII; computer set 

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• Six Tone Clock Pieces (XIX-XXIV); computer set 

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• Jenny McLeod: Tone Clock Piece XXIII; audio 

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• McLeod: Tone Clock Piece XXIV; computer set 

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• Jenny McLeod: Tone Clock Piece XXIV; audio 

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