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David Hamilton  

A Treble-Voice Liturgy

 Year: 2008
for 2-part treble voices and organ (or piano) with optional instrumental part

  • Programme Note

    This setting of the liturgy for the Anglican service of worship was requested by Stuart Weightman for Auckland Boys Choir. The requirement was for a relatively straight-forward setting, in one or two vocal parts, with an optional instrumental part in some movements. Liturgical music presents certain challenges – the principal one being that the texts have to be immediately intelligible. The composer is also afforded little opportunity for repetition of text, or development of musical ideas.

    This set of music provides nine opportunities for involvement in the service of worship, and some of the movements could be used as independent anthems or concert items. The texts are taken from the New Zealand Prayer Book.

  • Availability

Anthony Ritchie  

Cat in the Dark

Duration: 02' 30" Year: 2008
for treble voices, clarinet and piano

Anthony Ritchie  

Cat in the Dark

Duration: 02' 30" Year: 2008
for treble voices (up to 3 parts) and piano

  • Programme Note

    Cat in the Dark was commissioned by The North Canterbury Academy of Music for performance in their Music Quarter Festival, in Rangiora, 2008. It was written for massed children’s choir in unison and 2 parts. It is a setting of a poem by NZ author Margaret Mahy. The final verse also includes a short ‘round’ in 3 parts. There are also two different instrumental accompaniments: one for piano and clarinet in B flat, and one for piano alone. The song may be transposed to suit the requirements of the choir.

  • Availability

David Hamilton  

Pokarekare Ana

 Year: 2008
for 2-part treble voices and piano

  • Programme Note

    Probably the best-known Maori song, Pokarekare ana exists in various forms including different time signatures and rhythms. There continues to be some dispute over who exactly wrote the original version (or even if the melody was composed in New Zealand!). It is usually attributed to P.H. Tomoana, although this now seems unlikely. It first appeared around the time of World War 1.

    One account of the writing suggests it was written by a lovelorn young man who had been refused permission to marry his loved one. The song was composed and sung to win over his prospective in-laws.

    This version of the piece was made for Auckland Boys’ Choir (conductor: Stuart Weightman) in 2008.

  • Availability

Carol Shortis  

Smile Song

 Year: 2008
for treble voices and piano

  • Programme Note

    This piece was written in 2008, using a well-known ‘folk text’ about how smiling can be a contagious activity. The tune has a very familiar swing to it, as Carol’s intent was to make something that the Raroa Children’s Choir would pick up quickly and have fun singing confidently. It is a very functional, no-fancy-bits kind of song for any occasion when a smile is needed. Spread it around!

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David Hamilton  

Sweet and Low

 Year: 2008
arrangement of the part-song by Joseph Barnby for 3 part treble voices and piano with optional descant

  • Programme Note

    Sweet and Low is a part-song by English composer and conductor Joseph Barnby (1838-1896). He held a number of prestigious posts, including conductor of the Royal Albert Hall Choral Society (suceedding Charles Gounod in that position), director of music at Eton College, and principal of Guildhall School of Music.

    His composition include an oratorio, services and anthems, part-songs, organ works, and many hymn tunes. Sweet and Low is a gently lullaby, the words by Alfred Tennyson.

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Yvette Audain  

Taku Papawira

Duration: 03' 00" Year: 2008
arrangement for children's voices and orchestra, of a song written by Karl Teariki

Yvette Audain  

The Wheels on the Bus

 Year: 2008
traditional/The Wiggles - orchestrated by Yvette Audain for full orchestra and unison voices