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David Hamilton  

Angele Dei

Duration: 05' 15" Year: 2011
for SSAATTBB choir

  • Programme Note

    St Michael’s Church in Remuera (Auckland ) is one of the finest acoustics in the city for choral music. When I heard Viva Voce was presenting a concert of “heavenly music” there as the choir’s final concert for 2011, I offered to write a new piece. My earliest regularly performed work,“Lux Aeterna was already scheduled for the programme, so I felt this would make a nice comparison of works written 32 years apart. Conductor John Rosser readily agreed to the idea.

    Angele Dei is a text traditionally attributed to St Anselm (c.1033-1109) although it is now believed to have been added to his works after his death probably in the 11th or 12th centuries. It is a brief prayer to a guardian angel – one who is charged with protecting against the assaults of demons, that might lead one into sin.

    The piece is full of warm rich choral textures, beginning with the women’s voices descending in a scale-like passage which repeats several times against simple tonal chords in the men’s voices. The build to the climax uses textures reminiscent of Renaissance composers, featuring a string of suspensions in the harmony. The work ends quietly with an Amen section and final statement of the title.

    David Hamilton

  • Availability

David Hamilton  

Christmas Here and There

Duration: 16' 00" Year: 2011
for SATB choir and brass band

  • Programme Note

    This short cycle examines the differences between northern and southern hemisphere experiences of Christmas. These differences are encapsulated in Margaret Mahy’s early poem Christmas in New Zealand which contrasts the colours of a summertime Christmas with the images of snow and robins on Christmas cards. The second piece sets a Christina Rossetti poem which suggests that Christ’s birth was early in the day watched only by the angels and the animals. The third piece sets a traditional text which describes the typical landscapes of a northern hemisphere Christmas – the bare tress and the animals foraging for food. The fourth movement is a piece for band alone, which picks up on elements of the opening movement as well as varied treatment of fragments from the well-known carol “Good King Wenceslas”. The final piece sets a widely anthologized poem of unknown authorship. It humorously returns us to a summertime Christmas where there‘s no snow, and where Santa might end up with a suntan in the “Pacific summertime” Christmas.

    Christmas Here and There was commissioned by South Auckland Choral Society for the choir’s end of year concert 2011.

  • Availability

Stephen Lange  

Gloria Deo!

Duration: 02' 30" Year: 2011
for unaccompanied SATB choir

Rosemary Russell  

Let us Go in Peace

 Year: 2011
for SATB choir with piano or guitar

  • Programme Note

    A contemporary folk style worship song based on the Nunc Dimittis where Simeon and Anna recognise Jesus as the Messiah when he is presented in the temple by his parents as a baby. Suitable for unison or choral singing, it is in Eb, 4/4 time and in a flowing crotchet = 100. The simple piano accompaniment may be elaborated. Add guitar, bass, drums etc to suit.

  • Availability

Cheryl Camm  

Magical Glass

Duration: 04' 00" Year: 2011, r. 2012
for SSAA or TTBB choir

  • Instrumentation
    also more difficult versions for SATB or ATBB available here
  • Programme Note

    This is a modern folk song about the history of glass-making in Sunderland. It is part of a collection of songs about the River Wear, “Winter Wear”. It can be performed as a Christmas song, or at other times of year. It is not especially religious.

    Glass-making has always played an important role in the cultural and industrial history and soul of Sunderland and the River Wear: Benedict Biscop’s unique use of French glass-makers to fill in the windows of his monastery church, St. Peter’s in the 9th century; the industrial melting pot of the 19th century where the abundant supply of coal from the Durham coalfield, ferried down the River Wear fuelled several industries, most notably steel-making, shipbuilding and glass making; the European monopoly of Joblings Glassworks making heatproof oven-ware out of Pyrex in the mid- 20th century; and the National Glass Centre of today in which students at the University and glass artists from around the country craft enchanting art works. The first people to see each of these phenomena must have been transfixed by the novelty they were witnessing. This song portrays the response to each of these first encounters with the magical glass.

  • Availability

Cheryl Camm  

Magical Glass

Duration: 04' 00" Year: 2011, r. 2012
for SATB choir or ATBB choir

  • Instrumentation
    also simpler versions for SSAA or TTBB available here
  • Programme Note

    This is a modern folk song about the history of glass-making in Sunderland. It is part of a collection of songs about the River Wear, “Winter Wear”. It can be performed as a Christmas song, or at other times of year. It is not especially religious.

    Glass-making has always played an important role in the cultural and industrial history and soul of Sunderland and the River Wear: Benedict Biscop’s unique use of French glass-makers to fill in the windows of his monastery church, St. Peter’s in the 9th century; the industrial melting pot of the 19th century where the abundant supply of coal from the Durham coalfield, ferried down the River Wear fuelled several industries, most notably steel-making, shipbuilding and glass making; the European monopoly of Joblings Glassworks making heatproof oven-ware out of Pyrex in the mid- 20th century; and the National Glass Centre of today in which students at the University and glass artists from around the country craft enchanting art works. The first people to see each of these phenomena must have been transfixed by the novelty they were witnessing. This song portrays the response to each of these first encounters with the magical glass.

  • Availability

Michael Bell  

Mass for the Patronal Feast

Duration: 45' 00" Year: 2011
Latin mass in seven movements

Jack Body  

Psalm 137

 Year: 2011
for SSAATTBB choir

David Hamilton  

That Day is Waiting to be Born

Duration: 04' 00" Year: 2011
for solo soprano, SAB choir and piano

  • Programme Note

    This short work was written for the annual carol service of Diocesan School for Girls (Auckland) at the request of conductor David Gordon. The work was to feature a solo soprano and contain fairly easy choir parts for a staff choir. The text is of unknown authorship, and is originally simply titled “Advent Song”. The words look towards the coming of the baby Jesus, and the impact his arrival will have on the world. The work is in a relaxed jazz-swing style.

  • Availability

David Hamilton  

The Son of the Virgin

 Year: 2011
for SA choir and piano