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This work is a cantata for soprano and tenor soloists, SATB choir, flute, cello and organ. The texts are drawn from Psalm 22, verses 1 to 11, and Psalm 31, verses 9 to 14 interspersed with two poems by Hone Tuwhare, Nocturne and A Disciple Dreams. The work closes with a gentle setting of the prayer Our Father.

• Hulford: Cantata: A Disciple Dreams; facsimile 

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• Hulford: Cantata: A Disciple Dreams; facsimile 

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Low Tide – Aramoana is a setting of a poem by Cilla McQueen, and is used with her kind permission. The piece, written for large choir and a small brass ensemble, is an evocation of an estuary at the turn of the tide. Although the poem itself describes Aramoana at the mouth of Otago harbour (significant at the time because of the threat of the aluminium smelter that, because of the strength of local protest, was in fact not built), for the composer it was the estuary where the Ruakaka river meets the sea south of Whangarei that was significant.

• Whitehead: Low Tide Aramoana; computer set 

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• Whitehead: Low Tide Aramoana; facsimile 

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four choruses for SATB choir and 6 percussionists in five movements to settings of Maori poetry Five movements, settings of Maori poetry

• Powell: The Ever-Circling Light; facsimile 

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• Powell: The Ever-Circling Light; facsimile 

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Hone Tuwhare’s poem “The Old Place” conjures up a picture of an old run down house that no-body comes to visit. “No one cares to look upon the drunken fence posts and the gate white with moss. No-one except the wind saw the old place make her final curtsy to the earth and sky.” Hone Tuwhare’s words are very evocative and it was not hard to write music that emphasized the picture of people leaving their run-down farms and moving to the cities, in the hope of a better life.

• Hulford: The Old Place; facsimile 

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• Hulford: The Old Place; facsimile 

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• Becker: Wind and Rain; facsimile 

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• Becker: Wind and Rain; facsimile 

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• Pepe Becker: Many Waters  Year: 2000 

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