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• Crehan: Adam Lay Ybounden; computer-set 

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• Crehan: Adam Lay Ybounden; computer-set 

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• Cruise-Johnston: Agnus Dei; computer-set 

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• Gibson: Alleluia; computer-set  Year: 2001 

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• Smythe: Alleluia; computer-set 

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• Smythe: Alleluia; computer-set 

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• Smythe: Alleluia - live concert 

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• Faith Makes the Song; computer-set 

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• Hope is our Song; computer-set   Year: 2009 

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• Hope is Our Song  Year: 2011 

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The Carmina Gadelica, known in Gaelic as Ortha nan Gaidheal, is a six-volume collection of orally-transmitted prayers, poems, blessings and other material, collected by the folklorist Alexander Carmichael in the Highlands and Islands of Scotland in the second half of the nineteenth century. Carmichael subsequently translated this material, and edited the first two volumes. The death dirge An Tuiream Bais was published in the third volume, edited by Alexander’s grandson, James Carmichael Watson. I have set the first, fourth, fifth and sixth verses in the original Gaelic language.

• Shortis: An Tuiream Bais; computer-set 

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• Shortis: An Tuiream Bais; computer-set 

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• Carol Shortis: An Tuiream Bais; audio 

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Since 1994 I have had an on-going association with the city of Galway in Ireland. Initially this was through the Cois Cladaigh Chamber Choir which presented a concert of works of mine in that year, and has subsequently performed and recorded other pieces. Another choir in the city that has included my music in their repertoire was the NUIG Choral Society under the direction of Peter Mannion. This university choir had sung my Nunc Dimittis at a competition in 2005 and the conductor was keen to have something new for their next year’s repertoire. He asked if I might consider a new setting of the Lord’s Prayer (Our Father who art in heaven…), but setting the text in Irish.

The opening section, marked ‘serenely, with great spaciousness’, establishes the tonic key of D major securely. The music unfolds from an initial unison D, through simple tonal chords set against an on-going D in the 1st altos. The remainder of the work is largely chordal, using relatively simple tonal chords centred on the key of D major. The scoring is for unaccompanied SSAATB voices.

• Hamilton: Ar nAthair; computer-set 

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• Hamilton: Ar nAthair; computer-set 

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‘Aunque es de Noche’ was written for the Sydney Philharmonia Choir, and is a setting of a poem by St John of the Cross, entitled ‘Song of the Soul that Rejoices through Knowing God through Faith’. A medieval Sephardic melody is incorporated into the piece, as well some fragments of Flamenco music.

• Maclean: Aunque es de Noche; facsimile 

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• Maclean: Aunque es de Noche; facsimile 

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Ave Maria (op. 4) was written in the beginning of 2005 during the first few weeks of my move to Wellington from the South Island, and was written specifically for the New Zealand Secondary Students’ Choir Choral Composition Award 2005. The music is set to the traditional sacred text “Ave Maria”, and is for a mixed choir (SATB) with piano accompaniment.

The piece requires a competent choir to deal with the expression detail and complex harmonies used throughout. Successful communication of the text is a must, as well as keeping the melodic lines flowing constantly.

Andrew Baldwin

• Baldwin: Ave Maria; computer-set 

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• Childs, D.N.: Ave Verum Corpus; computer set 

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