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Kit Powell  

Father's Telescope

Duration: 15' 00" Year: 1989
a playful music theatre piece for singer, speaker and tape about power and submission

Eve de Castro-Robinson  

Five Responses

Duration: 30' 00" Year: 1989
For women's voices, male speaker, and mixed ensemble

  • Instrumentation
    for 3 sopranos, 3 altos, male speaker, alto fl, piccolo ,E-flat clarinet ,B-flat clarinet , bass-clarinet, horn, percussion (xylophone, timpani, 5 temple blocks, tambourine, 15 maracas, windchime, clicker,marimba, cymbals, balloons, pingpong balls) hp,pf. Extras: 13 balloons (with pins); brick (for piano pedal); 100 plus table tennis balls
  • Programme Note

    This work for mixed ensemble and female voices drew its inspiration from a series of paintings by Ken Robinson which were hung up behind the performers. “Drawing on Spanish texts from Pablo Neruda and St John of the Cross, Eve de Castro-Robinson has produced some wonderfully exotic music. Timbres are perfectly judged, from the vibrant exoticism of alto flute in Edged to the mysterious ceremony of horn and timpani in Black Drop and solo lines have a tremendous sense of tautness and cohesion.” William Dart, Music in NZ

  • Availability

Craig Utting  

It Is Spring

Duration: 17' 00" Year: 1986
for soprano, alto, clarinet, violin, cello, piano and percussion

Danielle Wood  

Karangahake

Duration: 02' 00" Year: 1985
duo for mezzo soprano and alto

Dorothy Buchanan  

Oracles and Miracles

Duration: 03' 00" Year: 1989
music for radio dramatisation of story by Stevan Eldred Griggs

Gillian Whitehead  

The Virgin and the Nightingale

Duration: 25' 00" Year: 1986
five songs for voices

  • Instrumentation
    sop, m-sop,A,T,Bari,B choir or sextet. Optional melody instrument - flute. If one soprano has a virtuoso high light voice that could undertake the flute line, the upper voices in 1 and 5 can be rearranged between soprano 2 and alto.
  • Programme Note

    The Virgin and the Nightingale was commissioned by Jones and Co with funding from the Music Board of the Australia Council, and first performed by The Song Company in 1992. The poems are taken from Fleur Adcock’s collection of translations of mediaeval poems published by Bloodaxe Books as The Virgin and the nightingale, with kind permission of author and publisher. The five songs all focus on birds; the flute part in Love’s Agent is a (transposed) transcription of a nightingale song. The settings are for SSATTB choir. The songs can be performed as a set or separately; some of them are suitable for choir.

  • Availability

Pepe Becker  

When Will We Know

Duration: 03' 00" Year: 1986
For soprano solo, two sopranos and two altos