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For high voice, clarinet in B flat and piano, the five songs are settings of New Zealand poems that evoke poignant memories of past experiences. They are of beyond diploma difficulty for the three performers.

• Caskie: A Cycle of Recollections; computer-set 

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• Caskie: A Cycle of Recollections; computer-set 

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• Caskie: A Cycle of Recollections; computer-set 

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• Cowdell: A Portrait of Christina Rossetti; facsimile 

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• Whitehead: Aria from Outrageous Fortune; computer set 

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• Whitehead: "Aria" from Outrageous Fortune; computer-set 

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• Tuhonohono: Music by Gillian Whitehead 

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• Tuhonohono 

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• Farquhar: Ariel's Song; facsimile 

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• Farquhar: Ariel's Song; facsimile 

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“The systems they learn are nothing but skeletons to them…” – John Ruskin Arrows of the Chace (1880)

Ruskin’s words suggest that rigorous formulae, valuable as a starting point, may be overwhelmed by the vigor of life itself. bone-flower takes its name from a dialect word for daisy, a humble bright flower growing on the bones of the dead. Soon we’ll all be pushing up the daisies.

• Palmer: bone-flower; computer-set 

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• Palmer: bone-flower; computer-set 

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• Palmer: bone-flower; computer set 

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• Mix-up - various works by Juliet Palmer 

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• SOUNZfine Volume 3 

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• Princeton: bone-flower (Palmer) and other works  Year: 1996 

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This dance theatre project was commissioned to celebrate the New Zealand Women’s Suffrage Centennial, and explores a range of historical and contemporary issues. It is based on documents written by Kate Shepherd and was choreographed by Susan Jordan.

• Fisher: Bone of Contention; facsimile 

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• Fisher: Bone of Contention (excerpt); facsimile 

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• Helen Fisher: Bone of Contention  Year: 1993 

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• Hamilton: Cancion de la noche; computer-set 

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Children and Adults was conceived as a song cycle, commissioned by Rosemary Stott for the Klarion Trio in 1992. The different ways that children and adults view the world has been a recurring source of fascination for the composer (who has reared three children of his own). This is encapsulated in these four settings, in which issues such as life, death, survival and creativity emerge as the main themes.

• Ritchie A.: Children and Adults; facsimile 

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• Ritchie A.: Children and Adults; facsimile 

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• Bisley: Come Back Safely; facsimile 

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• Bisley: Come Back Safely; facsimile 

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• Brigid Bisley: Come Back Safely; audio 

  Media on Demand | Embedded
  

• Bisley: Come Back Safely 

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• Women Composers: Grenfell, Exley, Bisley 

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• Brigid Bisley: Come Back Safely 

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This cycle is linked to The Rock, Whatipu for solo soprano, which preceded it without break in the 1990 performance – this is the ideal format.

This work is in five movements; the numbering of the movements relates to the cycle of poems by Denis Trussell (I, II, III, VII, X).

• Ker: Dances After the Haiku; facsimile 

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