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2222 4231 timp 2perc strings

• Hextall: Bridge of Remembrance; computer-set 

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• Hextall: Bridge of Remembrance; computer-set 

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• Hextall: Bridge of Remembrance; computer-set 

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• Hextall: Bridge of Remembrance; computer-set 

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• 2006 NZSO/Todd Corporation Young Composer Awards  Year: 2006 

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This work was written before and after a visit to Colyton, where a cousin of the composer has a farm, and whose daughter was playing ’cello in the orchestra at the time. He intended the work to reflect the rural open spaces that provide welcome relief for a city-dweller.

• Hinds: Colyton Overture; facsimile 

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for solo percussion: triangle (medium size), cow bell, three suspended cymbals (small, medium and large), four temple blocks, a pair of bongos, four roto-toms and xylophone (or marimba); 3120; tenor sax; 0221(opt.); strings

This short work was written for the orchestra of Auckland Grammar School and a talented senior student percussionist. It is in a straight-forward tonal style, including a cadenza for the soloist.

The work consists of three main ideas. Follow a short introduction the xylophone presents the main melodic material of the first idea. The 2nd main idea is chromatic chord that builds through the orchestra several times. Against this the percussion has more angular melodic material and more syncopated rhythmic ideas. The second section builds to a climax which immediately gives way to the 3rd section which is fugal. The melody from the 1st section re-appears, not as the fugue subject, but rather as the counter-subject of the fugue. This section mainly features the woodwind section of the orchestra interacting with the percussionist. The fugue winds down into a short cadenza for the soloist, and then material from the opening two sections is recapitulated in abbreviated form. The music builds to a final climax.

The percussion part avoids exotic or unusual instruments, favouring basic equipment found in most school music departments with an active instrumental programme. The only tuned percussion instrument is a xylophone, with the remainder being a mix of wood, skin and metal instruments.

• Hamilton: Concertino for Percussion and Chamber Orchestra; computer-set 

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• Hamilton: Concertino For Percussion and Chamber Orchestra; computer-set 

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• Hamilton: Concertino for Percussion and Chamber Orchestra; computer-set 

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• Hamilton: Concertino For Percussion and Chamber Orchestra; computer-set 

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The title of this work may seem unexpected as there is no ‘Concert Grosso No. 1’ in my list of works! However I’ve always considered my 1985 work for strings and percussion ‘Well Done, Mister Bach’ to be a concerto grosso. That work features the leaders of all five string parts as a ‘concertante’ group. In a more traditional Baroque manner, this work features just the leaders of the first and second violin and cello sections as the soloists. My intention with the work was to write something in the manner of a Baroque concerto grosso, drawing inspiration from typical styles of the period. Mixed in are my own musical and compositional preferences, so that in the end the piece might be described as ‘Baroque meets minimalism’. I finally gave into the temptation to give the three movements titles. The title, ‘Prelude’, of the first movement is a little ironic as it is longer than the remaining two movements combined. The second movement, ‘Air on a Shoestring’ suggests a rather brief, perhaps truncated air, in this case, a piece which fails to return to its home key. The final movement is in the manner of a Baroque fugue, I knew that university paper would finally come in useful one day!. ‘Concert Grosso No. 2’ was commissioned by the Music Department of St Cuthbert’s College in Auckland, and follows a commission from them the previous year for ‘Whisper to me’ (for choir, strings and percussion).

• Hamilton: Concerto Grosso No. 2; computer-set 

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• Hamilton: Concerto Grosso No.2; computer-set 

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Composed for Oboe and String Orchestra. The Romance is Ray’s first composition and the Dance is based on an aria from the children’s opera “The Three Shepherds”.

• Twomey: Diversion; computer-set 

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• Twomey: Diversion (Opus 1); computer-set 

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Composed for Clarinet and Piano or String Orchestra. The Romance is Ray’s first composition and the Dance is based on an aria from the children’s opera “The Three Shepherds”.

• Twomey: Diversion; computer-set 

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• Twomey: Diversion; computer-set 

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• Ray Twomey: From the Garden of Eden 

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• Ray Twomey: Sinfonia  Year: 2001 

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Ecstasy of Flight captures a moment in the life of a child who longed for a companion in her isolated life in the precise middle of nowhere. She was visited by a powerful dream, of wings, the curling of the wind in the cloud-tops, the perfect peace of the blue land of the sun, and the shape of the world as one great, majestic song. That was the moment in her life from which she could look back later as an adult composer and say that it all began.

• Goss: Ecstasy of Flight; computer-set 

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• Goss: Ecstasy of Flight; computer-set 

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• Thomas Goss: Ecstasy of Flight 

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2222; 222; timp; 2perc; strings

The title of this piece translates: "My God, my God, why have you forsaken me?” These were some of the last words spoken by Jesus before he died. It is based on the idea that within everyone there is a desire for more from life, and at times it feels like God has betrayed us.

• Gilmour: Eloi, Eloi, lama sabachthani?; computer-set 

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• Gilmour: Eloi, Eloi, lama sabachthani?; computer-set 

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• 2008 NZSO/Todd Corporation Young Composer Awards 

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2222; 1200; 2 percussion; timpani; piano; strings

• Hamilton: Excursion for Orchestra; computer-set 

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• Hamilton: Excursion for Orchestra; computer-set 

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3(picc).2.3(Eb,Bb,bass).2; 4.3.3.1; T+3; strings

This is a good old-fashioned fanfare – an introductory piece to kick-start a concert. It’s based around what I believe to be engaging tunes, inspiring brass and a healthy dose of celebratory bells, filtered through my own rhythmic and harmonic sensibilities.

Fanfare 10 was workshopped by the New Zealand Symphony Orchestra and conductor Luke Dollman as a finalist in the 2010 NZSO/Todd Corporation Young Composers Competition.

• Ellis: Fanfare 10; computer-set 

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• Ellis: Fanfare 10; computer-set 

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