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• Utting: Cirrus; computer-set 

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• Utting: Cirrus; computer-set 

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• Craig Utting: Cirrus and Spirals 

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• Selected Works: Utting, Watson, Cree Brown 

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A smorgasboard of the viola repertoire – solo, orchestral and chamber music. Hilarious and fun – you’ve never heard 12 violas sound like this before!

• Utting: Collages; computer-set 

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• Utting: Collages; computer-set 

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• Utting: Collages; computer-set 

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• Utting: Collages; facsimile 

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• Toan: Concertino; computer-set 

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• Toan: Concertino; computer-set 

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• Ritchie, J.: Concertino for Clarinet and String Orchestra; facsimile 

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• Ritchie J.: Concertino for Clarinet and String Orchestra; facsimile  Year: 1963 

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• Ritchie J.: Concertino for Clarinet and String Orchestra; computer-set  Year: 2005 

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• National Youth Orchestra 1975 

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• Frank Gurr with the NZSO under John Ritchie 

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• The Alex Lindsay Orchestra: Ring Round the Moon 

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• Ring Round the Moon  Year: 1963 

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• Aquarius: Music by John Ritchie  Year: 1998 

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• Alex Lindsay String Orchestra  Year: 1998 

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This early work was recorded by Schola Musica with soloist Sharon Joy Vogan and is scored for strings.

• Ritchie A: Concertino for Piano and Strings; facsimile 

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• Ritchie A.: Concertino; facsimile  Year: 1988 

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• NZ Flora Series Vol 5  Year: 1985 

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• Young, K.: Dance; computer-set 

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• fast forward 1998: dance in education  Year: 1998 

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• Kenneth Young - orchestral music  Year: 1998 

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Some of the themes of this work are taken by permission from Chants populaires et danses de Bretagne arranged for violin and piano by Andre Mangeot (pub. J.W. Chester, London)

• Pruden: Dances of Brittany; facsimile  Year: 1967 

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• Larry Pruden: Collected Edition Volume 5 - Works for String Orchestra  Year: 2007 

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• Carr and Pruden: various works 

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• The Lindsay String Orchestra of Wellington: Landfall in Unknown Seas and other works 

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• Alex Lindsay String Orchestra  Year: 1998 

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This work for full orchestra was commissioned by the New Zealand Symphony Orchestra. It is inspired by a quote from Comte de Salvandy, “Nous dansons sur un volcan”, said just before the revolution of 1830. The composer comments, “Like many New Zealanders I was born pretty much on a fault line and see music straddling that faultline between emotion and intellect – a harmony of fantasy and logic.”

• Cresswell: Dancing on a Volcano; computer-set 

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• Lyell Cresswell: Dancing on a Volcano; audio 

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• Landscapes: New Zealand Orchestral Music 

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This work for chamber orchestra has been performed in New Zealand, Australia, Canada and the Ukraine.

• Rimmer: December Nights; facsimile 

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• Auckland Philharmonia Orchestra: New Zealand Music 1  Year: 1990 

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This musical analogy to the physical phenomenon of light breaking up is written in a pointillistic style, with sinuous melodic fragments leaping across the piano keyboard in jagged cross-rhythmic dancing. Angular counter- melodies are provided by a chamber orchestra of single winds and brass with 14 strings in this single movement.

The idea of diffractions is represented in sound by the piano, central and prominent, exploiting an aspect of its technique to which it is ideally suited: rapid changes of direction and wide intervallic leaps with extreme dynamics. The orchestra provides bands of coloured spectra forming an integrated texture. The melody, oscillating and colourful is sometimes pointillistic and at other times it flows into longer continuous phrases.

Diffractions is essentially an abstract work in one continuous movement.

• Keay: Diffractions; facsimile 

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• Keay: Diffractions; facsimile 

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• Music by Nigel Keay 

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• Nigel Keay - Various Works 

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