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Michael Smither  

21 Piano Pieces

 Year: 1978

Dorothy Buchanan  

A Garland of Haiku

Duration: 10' 00" Year: 1970
for unaccompanied SSA choir

Bryony Jagger  

A Mother's Carol

Duration: 03' 00" Year: 1977
for SATB choir with soprano and alto solos

Dorothy Freed  

A Nursery Tale (Goldilocks and the Five Bears)

Duration: 04' 00" Year: 1975
for brass quintet and narrator

David Farquhar  

A Short Suite from "Ring Round the Moon"

Duration: 15' 00" Year: 1975
for full orchestra

  • Instrumentation
    2222; 4230; timp, perc; strs.
  • Programme Note

    This music was originally commissioned by Richard Campion for the New Zealand Players’ production of Ring Round the Moon by Jean Ahhouil, translated by Christopher Fry. In the second act there is a ball taking place offstage and demanding a large number of dances which are specified in the text.

    The music was first recorded on acetate discs by a ad hoc orchestra led by Alex Lindsay; these small recordings were then played through speakers for the production, sounding very loud to the cast but filtering out more gently to the audience. At the end of the long national tour, the cast knew the music very well and suggested to me that I should do something with it.

    The result, some years later, 1957, was a suite of nine dances first performed by the Alex Lindsay Orchestra. This rapidly became my most performed piece and was commercially recorded by the Alex Lindsay Orchestra in the 1960s, a recording still available today from Kiwi Pacific Reords.

    Ashley Heenen, through the NZ APRA Committee, commissioned an arrangement for full orchestra for the NZ Youth Orchestra to take on a tour of Europe and China in 1975. This version was shortened to six dances by leaving out the first three numbers. The music has also been used for a ballet, The Wintergarden, choreographed by Arthur Turnbull for the Royal New Zealand Ballet Company – this version included a tenth dance not in the 1957 Suite. Since 1975 two further version have been commissioned: Waltz Suite (1989), for string orchestra (five dances) for the Nova Strings, and an arrangement of the original Dance Suite (1992) for violin and piano (nine dances) for Isador Saslav.

  • Availability

Richard Bolley  

A solis ortus cardine

 Year: 1975
for organ

John Rimmer  

A Song of Humility

Duration: 03' 00" Year: 1978
for solo soprano and SA choir

Bryony Jagger  

A Tear Wiped Away

Duration: 15' 00" Year: 1979
for soprano, tenor voices and harp

Christopher Blake  

A Viola on Skye

Duration: 09' 00" Year: 1976
for solo viola

  • Programme Note

    A Viola on Skye was inspired by a trip to Scotland that included a stay on the Isle of Skye in the depths of winter. The initial sketches for the work were made at the time, influenced by the bleak, barren but richly hued landscape. This is personified by the characteristic timbre of the instrument and accounts for the particular sweep and colour of the music.

    The work falls naturally into two parts and can be described as a transition from complexity to simplicity. The first is characterized by a great variety of activity – agitated configurations, short melodic phrases, alternations of sul pont, pizzicato, arco, tremolo and so on. The structure is loosely based on a twelve note series and features a series of twelve groups. These are short sections of music, each emphasising one of the notes of the series. There are only four types of groups used so the first part of the work can be heard as three related variations. The second part of the work uses the series material melodically. It opens with these notes presented in the order and registers established in the preceding part. Ultimately this develops into an extended melodic line with the close of the work attaining the ultimate in simplicity – a repeated note.

  • Availability

Jack Body  

Aeolian Harp

Duration: 04' 00" Year: 1979
for solo violin