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violin, viola, cello, piano

• Buchanan: An Ocean Between Us; computer set 

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• Buchanan: An Ocean Between Us; computer-set 

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• Buchanan: An Ocean Between Us; computer-set 

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violin, cello, piano (some preparation required); all performers required to speak

Piano preparation: the strings between c’’’ and a’’’ need to have a flat metal object laid on top to achieve a bright, jangly ringing sonority (especially from mm 26-37). This/these to be removed by the pianist in the section from m 45.

The three strings F, G, A flat, should have firm rubber wedges between them to create a dull thuddy sonority (for the section at m42), but with a still discernible pitch

At water’s birth is a meditative, ritualistic work, whose sonic palette includes prepared piano sonorities and some vocalising from the players, including whispering, spoken words and whistling.

The pushing out of the boundaries of the conventional instrumental sounds is something I have employed in other works such as the whistling and knocking on the piano lid in small blue for piano and the bell and tamtam playing in Ring True. The meandering sections of the music suggest a relationship with the forces of water, its depth, currents and undercurrents and there is a sense of ritual in some of the chant-like rhythms.

• de Castro-Robinson: At Water's Birth; facsimile  

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• de Castro-Robinson: At Water's Birth; facsimile 

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• de Castro-Robinson: At Water's Birth; facsimile 

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• NZ Premieres 2008 Vol. 1 

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• NZTrio: Flourishes  Year: 2010 

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Written for the students of the National School for the Blind and Vision Impaired, Manurewa. Ideas for the text and musical form were workshopped with some of the students and their teacher, Wendy Richards in October, 2005, and again in March, 2006. The finished work looks at ideas about difference, belonging and finding common ground; a lyrical opening and closing section frames a more energetic middle section exploring ideas of conflict and tension, before finally the choir is able to unite (come together) at the end of the piece. The piece received its first performance at the National School for the Blind and Vision Impaired annual national music camp held in Manurewa, Manukau City, in July, 2006.

• Carey: Come Together; facsimile 

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22*22; 4331; timp., perc. (2 or 3), hp; strings

This piece is affectionately known as ‘Bugs’ or ‘the Bug piece’ to me, and that is what it is about: the wonderful creepy crawlies native to New Zealand. Motivation for writing this piece came from two sources. As part of my residency with the Auckland Philharmonia in 2004, I was required to write a piece for a concert specifically at children and families. Naturally, it needed simple structures, lots of energy and a bit of fun.

The second motivation with regard to a specific programme was a love for all native New Zealand fauna, and not just beautiful birds. So much music has been written with bird song or in celebration of New Zealand’s landscape. But nothing to my knowledge had been written about the humble creatures which often inspire revulsion rather than awe. Despite their not so cuddly appearance, native insects and invertebrates are just as fascinating and unique to these islands of ours as any other endemic wildlife.

The first movement is Giant Weta. Often the most notorious for exciting disgust, these magnificent insects are quite amazing, but all to often fall prey to introduced mammals.

The second movement is titled Giant Snails. Native giant snails are enormous, and often live in kauri trees, or feed on giant earthworms on the forest floor.

The Nelson Cave Spider is a extremely unique creature. Like so many other creatures and plant life of New Zealand, it is a relic of ancient times and preserved by New Zealand’s isolation.

Finally, perhaps the most unusual of all is the Peripatus, sometimes known as the velvet worm, a blue centipede-like creature that crawls through undergrowth in search of prey.

• Anthony Young: Concertino for Orchestra - hire set 

  Score and parts | Hardcopy - computer set
  
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• Anthony Young: Concertino for Orchestra - downloadable PDF 

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  $23.50
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• Anthony Young: Concertino for Orchestra - hardcopy score 

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• Two works by Anthony Young 

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(1)2222; 4331; timp., 2 perc. (side drum, bass drum, sus. cymbals, crash cymbals, tambourine, xylophone, glock.); strs

Auckland City is a harbour city and often referred to as the ‘City of Sails’. This short fanfare composed in 2002 is a salute to the sailing vessels that sail and race with pride on Auckland’s sparkling Waitemata Harbour.

• Daverne: Fanfare and Procession; computer-set 

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• Daverne: Fanfare and Procession; computer-set 

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• Gary Daverne: Gallipoli 

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2222;4231;timp;2 perc;piano;harp,strings

As I listened to media reports on the ownership of Young Nick’s Head, I began to wonder about the life of the real ‘Young Nick’, who first sighted this land from the deck of the ship Endeavour. What was life like on board the ship for the young boy, and how did it feel to sight the land? Various images came to mind, including a silhouette of land in the early morning light, or a murky shape barely visible through grey storm spray, or a dark smudge on a bright blue horizon. This piece was written with these images in mind.

For Young Nick was premiered by Wellington Youth Orchestra in 2003.

• Holmes: For Young Nick (hire set); computer set 

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• Holmes: For Young Nick; computer set 

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• Holmes: For Young Nick; computer set 

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• Leonie Holmes: For Young Nick; audio 

  Media on Demand | Embedded
  

oboe, violin, viola, cello

Fragile Earth

Fragile Earth is a conservationist’s lament and was inspired by the anti-nuclear poem “No Ordinary Sun” written in the early 1970’s by the celebrated poet Hone Tuwhare.

The piece presents a brooding chant which undergoes variation by means of rhythmic and textural contrasts, organic growth and fragmentation.

Fragile Earth was commissioned by Tom and Anne Morris for the Ensemble Philharmonia and first performed on 20 November 2004 at the Auckland Public Library auditorium.

Fragile Earth

Fragile Earth is a conservationist’s lament and was inspired by the anti-nuclear poem “No Ordinary Sun” written in the early 1970’s by the celebrated poet Hone Tuwhare.

The piece presents a brooding chant which undergoes variation by means of rhythmic and textural contrasts, organic growth and fragmentation.

Fragile Earth was commissioned by Tom and Anne Morris for the Ensemble Philharmonia and first performed on 20 November 2004 at the Auckland Public Library auditorium.

• Rimmer: Fragile Earth; computer set 

  Full score | Pdf - computer set
  
  $19.00
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• Rimmer: Fragile Earth; computer-set 

  Score and parts | Hardcopy - computer set
  
  $22.50
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• Rimmer: Fragile Earth; computer set 

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• Fragile Earth  Year: 2004 

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This short piece attempts to portray a mood of vast desolation, frozen and suspended in time.

From the gentle undulations and harmonic clusters of the piano an elegant and expressive melodic line emerges for the soprano cornet.

• Rimmer: Frozen Continent; computer set 

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• Rimmer: Frozen Continent; computer set 

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  $15.00
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• Rimmer: Frozen Continent; computer-set 

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Also known as Honor the Dead, Our Country’s Fighting Brave, this hymn comes in melody and SATB versions with music by Colin Gibson, English words by Shirley Erena Murray and a Maori paraphrase by Rangi McGarvey and Whirimako Black.

• Gibson: Hymn for Anzac Day; computer-set 

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• Shirley Erena Murray: Touch the Earth Lightly; computer-set  Year: 2008 

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• Gibson: Hymn for Anzac Day Himene mō te rā o Anzac; computer set  Year: 2008 

  Score and parts | Hardcopy - computer set
  
  $5.00
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• Buchanan: Late Song; computer set 

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  $16.00
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• Buchanan: Late Song; computer set 

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