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In 1995 I was approached by the NZSO to write an overture to commemorate the recent death of New Zealand’s most famous war hero, Sir Charles Upham. Upham was famous for having won the Victoria Cross twice for bravery during World War II. He was, however, extremely modest when it came to discussing his achievements. Some years before his death it was suggested to Upham that he have a state funeral; he simply replied, “A bugle will do”. This comment seemed like a good starting point for my piece.

There are no bugles in the orchestra, but the opening section depicting the horrors of battle contains plenty of brass. Sub-titled Maleme and Ruweisat Ridge, the music is fast and furious, built from several motifs, and includes the opening rhythm for the most well known Maori haka (war dance), Kamate, kamate. The music builds to a climax, and the scene changes to a bleak Colditz Castle, where Upham was imprisoned during the war. While in prison he dreams of rural NZ, and the farm near Kaikoura called ‘Landsdowne’, where he eventually settled after the war. This brief pastoral section links into a coda celebrating the outbreak of peace. Motifs from earlier in the piece return but changed into brighter modes. ’

A Bugle Will Do was first performed by the NZSO in 1996 under Andrew Sewell, and was subsequently performed in the USA.

• Ritchie, A.: A Bugle will Do; computer-set 

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• Ritchie A.: A Bugle will do; facsimile 

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• Anthony Ritchie: A Bugle will Do; video 

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• Music by Anthony Ritchie 

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• Anthony Ritchie: A Bugle Will Do 

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• Whitehead: Aria from Outrageous Fortune; computer set 

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• Whitehead: "Aria" from Outrageous Fortune; computer-set 

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• Tuhonohono: Music by Gillian Whitehead 

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• Tuhonohono 

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This song cycle for soprano and piano has texts by the composer in Maori and English.

“Awa Herea memorably evokes the physical appearance of symbolic significance of these braided rivers… cosmic weather-driven energy.” (Covell, Sydney Morning Herald).

“Its pace was shrewdly varied and the music encompassed a range of styles – from sung declamation to florid lyricism – without incongruity.” (Jack, Independent).

“The cycle displays all the characteristics of her [Gillian Whitehead’s] mature work. The vocal line is at once exultant and contemplative, the piano writing incisive or lulling; the formal shaping novel yet accessible. It is a memorable piece, filled with the energetic spirit of the natural world and finding through that spirit its own serenity.”

• Whitehead: Awa Herea; computer-set 

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• Whitehead: Awa Herea; computer-set 

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• Whitehead: Awa Herea; facsimile 

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• NZIAF: Gillian Whitehead Portrait; part 2 

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• Waikohu: Mere Boynton and Friends 

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• Tracey Chadwell's Songbook  Year: 1995 

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• Ears Wide Open Taringa Areare Education Resource CD  Year: 2000 

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Bitter Calm is a full length opera for five principals, chorus and orchestra in two acts. It is based on an incident at Motuarohia Island in the Bay of Islands, New Zealand in the 1840s. It is a drama of human passions in the contexts of land alienation and tensions between Maori and new settlers. Premiered at the New Zealand International Festival for the Arts in 1994 and filmed for television.

• Blake: Bitter Calm; facsimile 

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• Blake: Bitter Calm; facsimile 

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• Blake: Bitter Calm (Scenes 1-3) 

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E rewa mai, e ra is an invocation to the sun, asking it to rise, to give light, so that all living things will thrive and be healthy, so that the rain will fall. It is 2000 years since the coming of Christ. Rise, sun.

• Whitehead: E rewi mai, e ra; computer-set 

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E rewa mai, e ra is an invocation to the sun, asking it to rise, to give light, so that all living things will thrive and be healthy, so that the rain will fall. It is 2000 years since the coming of Christ. Rise, sun.

E rewa mai, e ra was composed on 30th December 1999 to be sung at dawn on 1 January 2000.

• Whitehead: E rewa mai, e ra; computer set 

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• Dellow: Fanfare and Finale; facsimile 

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• Dellow: Fanfare and Finale; facsimile 

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This music for eleven silent films,including Treasures / Nga Taonga, for clarinet, cello, and piano, would be most suitable for chamber music groups, including secondary school performers.

• Buchanan: Film Music; facsimile 

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• Hamilton: He Ha Kotahi; facsimile 

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• Hamilton: He Ha Kotahi; facsimile 

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The choral part of this piece was composed at the invitation of the New Zealand Maori Catholic Central Council, as the test piece for their 50th Jubilee Hui Aranga, held in Otaki, Easter 1996.

• McLeod: He Honore, He Kororia; computer-set 

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• McLeod: He Honore, He Kororia; computer-set 

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• McLeod: He Honore, He Kororia; computer-set 

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