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Suite of pieces with poems that can be read between movements or omitted.

• Jagger: A Nursery of Pain; facsimile 

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This cycle of five songs for baritone and piano was awarded the Philip Neill Prize by the University of Otago in 1991. It expresses five perspectives on the concept of time, some humorous and some more contemplative.

• Grenfell: A Pinch of Time...; facsimile 

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• Grenfell: A Pinch of Time...; facsimile 

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• Grenfell: 2 pieces from "A Pinch of Time..."; computer-set 

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• Kowhai - an album of songs by NZ women composers  Year: 1994 

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• Grenfell: selected works 

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• Burning Bright - four NZ women composers  Year: 1999 

  CD
  
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• Utting: Apocalypse; facsimile 

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• Utting: Apocalypse; facsimile 

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This work is a cantata for soprano and tenor soloists, SATB choir, flute, cello and organ. The texts are drawn from Psalm 22, verses 1 to 11, and Psalm 31, verses 9 to 14 interspersed with two poems by Hone Tuwhare, Nocturne and A Disciple Dreams. The work closes with a gentle setting of the prayer Our Father.

• Hulford: Cantata: A Disciple Dreams; facsimile 

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• Hulford: Cantata: A Disciple Dreams; facsimile 

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• Lilburn: Chaconne for piano; facsimile  Year: 1972 

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• Lilburn: Chaconne; computer-set  Year: 2005 

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• Lilburn: Chaconne; cassette 

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• Peter Cooper - Piano  Year: 1968 

  Vinyl (LP or EP)
  

• Thomas Hecht: piano masterworks from America and New Zealand  Year: 2005 

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• Michael Houstoun: Inland (CD & DVD set)  Year: 2007 

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• Douglas Lilburn: Complete Piano Music Volume 3  Year: 2011 

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The 100 Voice Chorale based on the North Shore of Auckland commissioned Denise Hulford to write a Christmas Carol for the Choir. After spending some time searching for a poem with a happy tone to it, and not being able to find anything suitable, Denise commissioned Jenny Pattrick to write a poem. The poem that Jenny provided was exciting, accessible and quite humorous. The final work was a fun and Christmas focused composition which was most successful, and approximately the length of a short Cantata. The work has been performed a number of times, and has always been well received.

• Hulford: Chritmas Bells; computer set 

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• Hulford: Christmas Bells; computer-set 

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This song cycle was composed in 1951 and is a setting of poems by Alistair Te Ariki Campbell, written as a memorial to Roy Dickson who died in an accident in the Southern Alps in 1947. The evocative settings range from the darkly sombre and dramatically powerful to the poignantly tender and sorrowful, reflecting both the moods and changing conditions of the New Zealand mountains and bush and the shifting emotions and expressions of grief over a life lost.

• Lilburn: Elegy; computer set 

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• Lilburn: Elegy; facsimile 

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• Lilburn: The Return and Elegy 

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• Lilburn: Elegy and The Return 

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• elegy  Year: 1999 

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This work for narrator, tenor and symphony orchestra highlights the impact on nature of man’s questionable progress. This idea is taken directly from Hone Tuwhare’s poem The Sea! To The Mountains! To The River which is the text for the soloist. Evolution is one continuous movement interspersed with nine vocal sections.

• Hulford: Evolution; facsimile 

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• Hulford: Evolution; facsimile 

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• Powell: Father's Telescope; electroacoustic part 

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• Powell: Father's Telescope; computer-set 

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• Kit Powell: Father's Telescope; audio 

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• Harlow - Powell: Radio NZ Archive Recordings 

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Poems by Iain Lonie and Bernadette Hall, and commissioned by Tony Donaldson for performance by himself (guitar) and Robert Oliver (tenor) in 1997, with funding from Creative NZ. Originally from Dunedin, Bernadette studied Classics under Iain Lonie at Otago University. I have to thank two other Classicists with regard to the selection of these poems for setting: Andrew Barker who put me onto Iain’s poetry, and Gail Tatham who recommended Bernadette’s poems to me.

Anthony Ritchie

• Ritchie A.: Five Dunedin Songs; Computer Set 

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• Ritchie A : Five Dunedin Songs; computer set 

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