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Ritchie’s Brass Quintet is dedicated to his father, John Ritchie, and was composed in 1992 for the Canterbury Quintet. Unfortunately this ensemble folded before the work could be performed, and consequently the composer had not heard the work prior to the recording by the NZ Chamber Brass. Ritchie notes that, at the time of composing the work, he was fascinated by the work of several Minimalist composers, this influence being most apparent in the first two movements.

• Ritchie A.: Brass Quintet; facsimile 

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• New Zealand Chamber Brass - New Zealand Works for Brass Quintet 

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• Cresswell: Canzone; facsimile 

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Children and Adults was conceived as a song cycle, commissioned by Rosemary Stott for the Klarion Trio in 1992. The different ways that children and adults view the world has been a recurring source of fascination for the composer (who has reared three children of his own). This is encapsulated in these four settings, in which issues such as life, death, survival and creativity emerge as the main themes.

• Ritchie A.: Children and Adults; facsimile 

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• Ritchie A.: Children and Adults; facsimile 

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Children and Adults was conceived as a song cycle, commissioned by Rosemary Stott for the Klarion Trio in 1992. The different ways that children and adults view the world has been a recurring source of fascination for the composer (who has reared three children of his own). This is encapsulated in these four settings, in which issues such as life, death, survival and creativity emerge as the main themes.

• Ritchie: Children and Adults; facsimile 

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• New Zealand Poets in Song - Anna and Matthew Leese sing songs by Anthony Ritchie  Year: 2008 

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A smorgasboard of the viola repertoire – solo, orchestral and chamber music. Hilarious and fun – you’ve never heard 12 violas sound like this before!

• Utting: Collages; computer-set 

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• Utting: Collages; computer-set 

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• Utting: Collages; computer-set 

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• Utting: Collages; facsimile 

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Composed in March 1992 and dedicated to the memory of Gavin Saunders. The first two movements comprise simple canons at the unison, with interludes, while the third is a chorale. Commissioned by Gary Bowler with funding from Creative New Zealand for the Hastings Youth Orchestra, who gave the first performance later that year.

• Carey: Dirge Canons; facsimile 

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• Carey: Dirge Canons; facsimile 

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• Carey: Dirge Canons; facsimile 

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• Music of the Americas and the Antipodes 

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These four short pieces for solo flute are based on stories of Winnie the Pooh by A.A. Milne. This work was awarded first prize in the KBB/NZ Flute Society composition competition in 1992.

• Maria Grenfell: Four Pooh Stories - hardcopy score 

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• Little Dancings - a selection of flute music by New Zealand composers  Year: 1998 

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• Maria Grenfell: Four Pooh Stories; audio 

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• Taurangi - New Zealand Music for flute and piano  Year: 2004 

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• Norman: Friendship Haiku; facsimile 

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• Norman: Friendship Haiku; facsimile 

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• Orchestral Music by Norman, Ritchie, Elmsly, Farquhar 

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• Philip Norman: Orchestral Compositions 

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In music, as in life, the off-beat provides variety, contrast, opposition to the heavier on-beat, giving the whole rhythmic life and bounce. In dance terms, the on-beat relates to the feet, the off-beat to the upper body. These eight pieces use these off-beat qualities in a variety of ways, ranging from sharp opposition to smoother integration.

• Farquhar: Off - Beat; facsimile 

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• First Fifteen - a selection of piano music by NZ composers  Year: 1996 

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• Georgina Zellan-Smith plays New Zealand piano works  Year: 2000 

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A lively short work which was commissioned, premiered and recorded by Auckland Philharmonia Orchestra.

• Farquhar: Scherzo; computer-set 

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• Farquhar: Scherzo for Orchestra; facsimile 

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• Auckland Philharmonia Orchestra: New Zealand Music 5 

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