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• Daverne: Music for Accordion; computer-set  Year: 2006 

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• Gary Daverne: Accordion Concert Music 

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• Jagger: A Mother's Carol; facsimile 

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This work for brass quintet and narrator was written for the NZ Brass Quintet to perform in schools.

• Freed: A Nursery Tale; facsimile 

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• Freed: A Nursery Tale; facsimile 

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• Freed: The Circle and A Nursery Tale 

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• Rimmer: A Song of Humility; facsimile 

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• Cecilian Singers: Alleluia  Year: 2003 

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Karlheinz Stockhausen, Luciano Berio and Pierre Boulez have long been in my group of compositional heroes. Not that I have always understood or accepted what they were doing but rather because they opened new vistas of compositional processes.

Stockhausen in particular offered composers new ideas about the way music is structured. His ‘moment’ forms made a deep impression and his early electronic music pieces Gesang der Jünglinge and Kontakte blazed new pathways. They are classics in the music of the twentieth century.

Adieu KS for solo vioklin is my musical way of offering a deep sense of gratitude to Karlheinz Stockhausen. This short hommage nods in the directly of Stockhausen’s early Sonatina for violin and piano and utilises a sequence of pitches from this work. Fragments contrast with continuity, melody with violinistic sounds and movement with stasis.

• Rimmer: Adieu KS; computer-set 

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• Rimmer: Adieu KS; computer-set 

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• John Rimmer: Adieu KS; audio 

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• Release: The Mozart Fellowship  Year: 2012 

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This piece was inspired by the beguiling sounds of the aeolian harp to which I was first introduced by Chris Cree Brown. Said to have been first ‘discovered’ by the ancient Greeks, aeolian harps are intended to be played not by human hands, but by the wind. The strings vibrates through a range of harmonics creating an eerie effect difficult to describe.


Jack Body

• Body: Aeolian Harp; computer-set 

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This piece was inspired by the beguiling sounds of the aeolian harp to which I was first introduced by Chris Cree Brown. Said to have been first ‘discovered’ by the ancient Greeks, aeolian harps are intended to be played not by human hands, but by the wind. The strings vibrates through a range of harmonics creating an eerie effect difficult to describe.

Jack Body

• Body: Aeolian Harp; computer-set 

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• Mark Menzies in Concert 

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• Waiteata Collection of New Zealand Music Vol. 1 - A Violin and Piano Recital  Year: 1999 

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This piece was inspired by the beguiling sounds of the aeolian harp to which I was first introduced by Chris Cree Brown. Said to have been first ‘discovered’ by the ancient Greeks, aeolian harps are intended to be played not by human hands, but by the wind. The strings vibrates through a range of harmonics creating an eerie effect difficult to describe.


Jack Body

• Body: Aeolian Harp; computer-set 

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• Under the Southern Cross: works for cello 

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• Evans: Akaroa; computer set 

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• Evans: Akaroa; computer-set 

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The title Anxome is a contraction of the word “manxome”, from the phrase in Lewis Carroll’s The Jabberwocky: “long time his manxome foe he sought”. The piece is descriptive of a state of mind: at times anxious and shy, but also playful and cheeky. It was premiered in The Committee’s ‘Lightshift’ concert. Andrew Uren performed it from a high balcony, behind the audience, who were in the dark.

• Willis: Anxome; computer-set 

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• Willis: Anxome; computer-set 

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