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I The remote control – You are in a small, sparsely furnished room. The curtains are a lurid green-and-orange striped pattern. A TV sits in the middle of the room – you are strangely drawn to it. A remote control is in your hand, and as you tentatively push the red button marked ‘on’, the TV erupts in an angry blare of noise. Flustered, you turn down the cacophony, and flick through a few channels. But it seems the remote has a mind of its own – it starts changing the channels by itself, at first slowly, then faster and faster. The volume roars, the bizarre programmes fly past, and you can’t stop it no matter what you do…

II The derivation of musical wisdom – Suddenly the remote stops. The picture blurs – you stare at the screen to try to make out a vaguely familiar silhouette. A thick Parisian accent crackles through the speaker. ‘…Sound and Chaos – Hell’s Eternal Rhythm…’ The picture snaps into focus – Pierre Boulez is hosting a cooking show. He is dropping long rows of notes into a pan with herbs, garlic and white wine. He turns, looks straight into the camera, gives you a knowing wink, and mouths ‘Et violà…’

III The game show – The channel abruptly switches to a frenetic daytime game show, where the contestants are competing for fabulous prizes beyond their wildest dreams. An hysterical woman spins the giant wheel, laughing wildly. Bells ring, lights flash – the host shrieks excitedly in a nasal voice ‘It’s the grand prize! Four weeks in a small hotel room with your family of nine!!’ The woman stops laughing.

IV The rachenitza – The channel switches once more. Musicians are playing and people are dancing. There is barbed wire surrounding them. A man with his ribs showing stares mournfully at you. Suddenly he shouts ‘Roll up – the greatest show in the world is here! Experience horrors beyond the limits of your imagination!’ You watch, fascinated, reassured in the knowledge that there is a button marked ‘off’ on your remote control.

Notes from Promethean Editions

• Farr: Cadenza; computer set 

  Full score | Hardcopy - computer set
  
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• SOUNZfine Volume 2 

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• Gareth Farr: Chamber Music  Year: 1997 

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• Ritchie A.: Memories of Budapest; computer set 

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  $22.00
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• Ritchie, A: Memories of Budapest 

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• Rimmer: Murmures; computer set 

  Parts - written | Hardcopy - computer set
  
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• Rimmer: Murmures; computer set 

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• Rimmer: Murmures; computer set 

  Parts - written | Pdf - computer set
  

• Rimmer: Murmures; computer set 

  Full score | Pdf - computer set
  

The title suggests a mixed metaphor, the organic alongside the astronomical. Although the words arrived late in the process, they go some way towards describing the forces at work. Propelled by small-scale rhythmic articulation, strands reach out towards points, tracing delicate spirals through space. Alongside these sit diffuse clouds of material, out of which new constellations take shape. There is above all a concern with the intimate connection between the gestures of performance and their sonic result. The instruments act as filters which shape raw sound in a manner reminiscent of the procedures of the electroacoustic studio. There is a constant tension between organic direction and quite arbitrary frameworks, a mesh of non-congruent processes operating on different structural levels. In front of this, the intricate detail of the audible surface attempts to impose perceptual order on the precariously balanced network of forces.

• Brownlee: Tendrill and Nebula; computer set 

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• Brownlee: tendril and nebula; computer set 

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• Philip Brownlee: Tendril and Nebula; audio 

  Media on Demand | Embedded
  

• 175 East vol. 3 

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• Tendril and Nebula  Year: 1999 

  CD
  
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• 175 East vol. 4  Year: 1999 

  CD
  
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