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Robbie Ellis  

Alla Marcia Brady

Duration: 05' 00" (can vary) Year: 2012
for a whole bunch of wind & brass

  • Programme Note

    alla marcia – adv. As a musical direction: in the style of a march. Also as adj., n. (Source: Oxford English Dictionary.)
    Marcia Brady – A character from the 1969-1974 American television series The Brady Bunch. (Source: Wikipedia.)

    General instructions/suggestions include:
    - Gather a dozen or so wind and brass players. Have them memorise this music.
    - The players should walk one by one from off-stage to on-stage.
    - If possible, have them do a complete circuit across the stage, off the other side, through the backstage area, then back onto the stage through the original entry point.
    - I encourage the use of surprising points of entry, e.g. balconies, strange doors, trapdoors, zip lines, time machines.
    - Optional: incorporate the theme tune to The Brady Bunch in Bb major.

  • Availability

Chris Adams  

Mad Cow Farmers' Disease (Jazz Band version)

Duration: 07' 00" Year: 2011
An arrangement for Jazz Band by the composer of the original for mixed ensemble of 9 players.

  • Instrumentation
    Jazz Band: 2,2,1;4;4; Pno, Drums, Bass
  • Programme Note

    When Silencio Ensemble asked me to write the original piece, it was suggested that I write something inspired by or relevant to Canterbury – one possibility being a piece inspired by the landscape. In a funny kind of way, Mad Cow-Farmer’s Disease is inspired by the landscape – going to a Canterbury river and seeing the signs that say “Do Not Swim” or another where cows are loose in the riverbed and cow shit is all over the place.

    It is inspired by dry riverbeds surrounded by farms with pumps constantly irrigating the land – the premise being that any ounce of water that makes it to the sea is wasted. These same farmers, self-titled “environmentalists,” use hypothetical science to justify their wanton destruction of the natural environment.

  • Availability

Alex van den Broek  

Piece No.4

Duration: 07' 00" Year: 2007
for chamber septet

  • Instrumentation
    flute, clarinet in B flat, clarinet in A, alto saxophone, bassoon, piano, trumpet in B flat, cello, double bass
  • Programme Note

    Piece No.4 uses a variety of techniques from Jazz and Classical music.


    Firstly, it is a concerto for our bassist Mike Kime who improvises his solo throughout the work. Secondly, the piece has a mosaic structure. The sections in the piece can be played in any order which is decided upon by the conductor as the piece progresses. This lends a dynamic and exciting atmosphere from which the textures and solo in the piece develop.

  • Availability

Jack Body  

Polish Folk Dances

Duration: 06' 00" Year: 2007
for two clarinets in B flat, baritone saxophone, timpani and Javanese Gamelan

  • Programme Note

    The piece was written in collaboration with Andrzej Nowicki, a NZSM student who dances with a Polish folk group in Wellington. The clarinet carries the dance tunes in both movements, with a second clarinet and a baritone saxophone joining in the second. The gamelan accompaniment moves between “slendro” and “pelog”, suggesting a ‘bent’ version of western harmony.

    Jack Body

  • Availability

Simon Eastwood  

Tempest

Duration: 07' 00" Year: 2005
for amplified B flat clarinet, double bass, piano and gong

Alex van den Broek  

White and Pink On Light Red

Duration: 08' 00" Year: 2008
for chamber octet