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• Jagger: Two Epithalamiums; facsimile 

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• Jagger: Epithalamium 1; facsimile 

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Ixion’s Wheel was written during the composer’s term as Mozart Fellow in 1993. The work is dedicated to Katherine Austin (piano) and Richard Foreman (clarinet), who gave the premiere performance in the Illot Concert Chamber, Wellington, during the ExtravaCANZa festival of November 1994. Mythology tells that on account of his aggression and lust, Ixion was lashed to a blazing wheel by Zeus, and sent whirling through the air to eternity. This work is the composer’s response to the sad fate of Ixion.

• Bowater: Ixion's Wheel; computer-set  Year: 1996 

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• New Zealand Composers: Franchi, Axtens, Bowater, Freed, Lockwood 

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• Waiteata Collection of New Zealand Music Vol. 8 - Chamber Music II  Year: 2005 

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The notion of “form as a product of growth” was central to the process of composing kontinuum 1. A network of interrelated material is evolved from a single cell and it is the subsequent linking, overlapping and extending of this material generates the piece’s thirteen short movements. Thus, rather than seeking contrast, all thirteen movements explore the same ideas, as if viewing the same object from many different angles. It is hoped that each movement has a very clear exterior shape which can be easily apprehended by the listener on first hearing the work. Within this is an interior containing sonic events that are extremely detailed, both in their make up and in their relationships to one another.

• Hall: Kontinuum I; facsimile 

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• Gao: Poem; computer-set 

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• Gao: Poem; computer-set 

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• Gao: Poem; computer-set 

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• Gao: Poem; computer-set 

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This work is based on John Wells’ Sonata for Clarinet and Piano which is in three movements. A fourth (slow) movement was added when the composer arranged it for flute.

• Wells: Sonata for flute and piano; computer-set 

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• Wells: Sonata for Flute and Piano; computer-set 

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• John Wells: Sonata for Flute and Piano; audio 

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This tryptich is comprised of three sections:

1. This is a transcription of a fife player from Zionville, North Carolina, recorded in 1937 by John Lomax (Library of Congress 837B2). The instrument is an unkeyed wood predecessor of the piccolo. Groundhog is a well-known Appalachian folk song.

2. In this case, the original performance was on a small pygmy flute which was cut from a piece of cane. The player then burned four stop-holes at the lower ened, plugged that end with a rolled leaf then notched the top end, all in a few minutes. After playing a while, the performer seemed to lose all interest in the flute. The original can be heard on Music of the Ituri Forest , recorded by Colin M. Turnbull and Francis S. Chapman, Folkways LP No. FE4483.

3. The last melody is from Turkestan, Afghanistan. The foot-tapping accompaniment employed in my piece was originally played on the Zer-Barhali, a type of drum. The original was from an LP issued by Musicaphon BM30 L2003, entitled, The Music of Afghanistan.

• Davidson: Stolen Music; computer-set 

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• Stolen Music - New Compositions by Matthew Davidson  

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• Stolen Music - Chamber and Electronic Music by Matthew Davidson  Year: 1996 

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• Cresswell: Triptych; facsimile 

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• Cresswell: Triptych; facsimile 

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• Lyell Cresswell: Triptych; audio 

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