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• Lardelli: Humoresque; computer set 

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• Four Works by Dylan Lardelli 

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The malleus (or hammer) is one of three bones that transmit vibrations from the eardrum to the internal ear in the process of transformation of external sound waves to an emotional or cognitive response within the listener. In Malleus, the trio is treated as a single ‘meta-instrument’, with each instrument playing a near identical line, though this unison is corrupted with independent tempi and tuning. Malleus was written in 2005 and is the second piece in a series of three trios collectively entitled Middle Ear. It won first prize in the 2005 Lilburn Prize concert at Auckland University.

• Holloway: Malleus; computer-set 

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• Holloway: Malleus; computer-set 

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• Samuel Holloway: Malleus; audio 

  Media on Demand | Embedded
  

My high school in New Zealand specialised in rugby and horticulture. I was interested in neither. Twenty years later, rush takes me back to my roots, crisp early mornings playing in the school clarinet choir, an aberration in a world that spoke the language of rugby and kiwifruit. Revisiting the school sportsfield, rush is named after the rugby technique of moving the ball forward with short kicks and runs.

Juliet Palmer

• Palmer: Rush; computer-set 

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• Palmer: Rush; computer-set 

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• Palmer: Rush; computer set 

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  $26.00
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• Music by Juliet Palmer  Year: 1990 

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• Solaris Trio  Year: 2000 

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• Dellow: The lower three, Suite for Recorders; facsimile 

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• Dellow: The lower three, Suite for Recorders; facsimile 

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This piece was inspired by scenes from Shakespeare’s Macbeth featuring Hecate and the three witches: the cauldron scene in which they list their dastardly collection of ingredients, and their visions of Macbeth and his self-induced demise. The performers are required to produce screams and shrieks; mutterings and hissings; boilings, bubblings and grumblings; sighs and groans; squeaks, puffings and vocal effects; as well as playing a recurring diabolical dance.

Many thanks to the wonderfully adventurous and magnificently virtuosic trio of Andrew Uren, Gretchen Dunsmore and Donald Nicholls for requesting this piece.

• Scholes, C.: The Wyrd Sisters; computer-set 

  Score and parts | Pdf - computer set
  
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• Scholes, C.: The Wyrd Sisters; computer-set 

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• Scholes, C.: The Wyrd Sisters; computer-set 

  Score and parts | Hardcopy - computer set
  
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• Scholes, C.: The Wyrd Sisters; computer-set 

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• Claire Scholes: The Wyrd Sisters  

  CD
  

• Moon: Three Pieces for Woodwind Trio; facsimile 

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• Moon: Three Pieces for Woodwind Trio; facsimile 

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• Gardner: Throat Clearing; computer-set 

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• Gardner: Throat Clearing; computer-set 

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• James Gardner: Selected Works 

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• Solaris Trio  Year: 2000 

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Transcendental Fragments, for wind trio, is a short piece based on musical fragments from the composer’s concerto for orchestra entitled Transcend which was premiered by the Auckland Philharmonia in 2003. These fragments have undergone much reworking from their original orchestral setting and are tossed around between the performers in fast and slow tempi.

• Rimmer: Transcendental Fragments; computer-set 

  Score and parts | Pdf - computer set
  
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• Rimmer: Transcendental Fragments; computer set 

  Score and parts | Hardcopy - computer set
  
  $21.00
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• Rimmer: Transcendental Fragments; computer set 

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• Brownlee: Trio for Clarinets; computer set 

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  $12.00
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• Brownlee: Trio for Clarinets; computer set 

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• Brownlee: Trio; computer set 

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This work for flute,clarinet and bassoon is in three sections which are performed as one movement. It explores linear techniques in music and is expressively atonal with quiet reflective passages as well as more exuberant ones. ‘Woodwind Trio’ was awarded First Prize in the 1987 Victoria University Composers’ Competition.

• Fisher: Woodwind Trio; facsimile 

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• Fisher: Woodwind Trio; facsimile 

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• Fisher: Woodwind Trio; computer-set 

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• Helen Fisher: Various Works 

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