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Yvette Audain  

A Charleston Kick With Steel Caps

Duration: 06' 00" Year: 2011
for saxophone quartet

Yvette Audain  

A Charleston Kick With Steel Caps – alto sax quartet version

Duration: 06' 00" Year: 2011
for four alto saxophones

Dylan Lardelli  

Arrangements

Duration: 08' 00" Year: 2011, r. 2012
for saxophone quartet

Robert Burch  

Capriccio for Four Saxophones

Duration: 06' 00" Year: 1966
for saxophone quartet

Alex Taylor  

eight pieces for wind quartet

Duration: 09' 00" Year: 2010
for wind quartet

  • Instrumentation
    for flute, oboe, clarinet and bassoon
  • Programme Note

    eight pieces for wind quartet was inspired by Ligeti’s extraordinary, dramatic work Ten Pieces for Wind Quintet, and my eight pieces uses this work as a model, where movements alternate between slow-moving, cloud-like textures and jittery, virtuosic interjections. The fragments of melody are constantly reaching outwards, the tense, at times nightmarish, harmonic language constantly straining, edging towards the elusive octave. Within the twelve-tone framework I wanted to create as much diversity and flexibility as possible, always keeping a tension between motion and stasis. Each piece is a kind of elaboration of the same melodic idea, a blueprint that is constructed differently each time, like seemingly unrelated episodes in a dream. Below is a short poem that I think embodies the miniature nature of each piece and the work as a whole.

    miniature

    if a dream came to you
    you might catch it, hold it,
    sculpt from it an elaborate

    memory, the husk of a rushed
    feeling, the miniature
    interior of a moment

    - alex taylor

  • Availability

Leonie Holmes  

Flute Quartet

Duration: 06' 00" Year: 1986
for four flutes

Michael Norris  

Honk!

Duration: 09' 00" Year: 2001
for saxophone quartet

Robbie Ellis  

Huff

Duration: 05' 30" Year: 2012
for saxophone quartet

  • Instrumentation
    SATB or AATB saxophone quartet
  • Programme Note

    Huff is both the act of exhaling, and the sound of air moving through a wind instrument. The piece starts as a saxophonist would: after the instrument comes out of its case and gets put together, the first thing the player does is blow warm air.

    I wanted to write something that would work for both professional quartets such as Saxcess, and proficient school ensembles in both SATB and AATB formation. As a composition, it didn’t come together straight away: the 12/8 time signature sidetracked me into a maniacal type of Mexican banda music, which turned into a work called Banda Chiflada. That and Huff are very different in character, but they are still two pieces cut from the same compound time cloth.

  • Availability

Philip Brownlee  

Improbable Mechanism

Duration: 05' 00" Year: 2008
for recorder quartet

Karlo Margetic  

Rarefaction Game

Duration: 05' 00" Year: 2006
for saxophone quartet