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• McLeod: Airs for the Winged Isle; computer-set 

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• McLeod: Airs for the Winged Isle; computer-set 

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• McLeod: Airs for the Winged Isle; computer-set 

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• McLeod: Airs for the Winged Isle; computer-set 

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The human brain is capable of remarkable feats of understanding and analysis, yet has trouble simply imagining its own death. Death is our blind spot — we cannot conceive of an end to our perceptions and experiences, so we are forced to invent stories about what we will experience after we die.

As a result, human culture overflows with afterworld narratives, and in some cases these have become rich in specific details, textures and landscapes: afterworlds may be light, dark, watery, icy, misty, subterranean, found in the clouds, in the earth, in the sun, in the moon; they may be places of peace and redemption, or places of violence and damnation.

Michael Norris

• Norris: Exitus; computer-set 

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• Michael Norris: Three works by Michael Norris 

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• NZ Premieres July 2008 to June 2009 

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• notes from a journey  Year: 2010 

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Suite for String Quartet was commissioned by Christopher Marshall through the 2009 SOUNZtender project of the Centre for New Zealand Music. The commission was originally intended for a solo instrument but Christopher had an interesting starting point in mind for the piece: a work for string quartet with a series of movements inspired by four stylistic models from moments in music history: chant, gigue, tango and the music of the second Viennese School. Each movement would feature (either solo or concertante-style) a member of the quartet.

I approached Suite for String Quartet with a level of abstraction to the styles in question. It is less a series of imitations than an exposition of certain distinctive elements of each style. I found myself inspired (at different points in the process) by acoustic, harmonic, rhythmic, structural and emotional properties of these styles. Each of the four movements feature a particular player (cello, violin II, viola and violin I, in that order) – but the other three also play in each movement.

Calling the piece Suite for String Quartet is reflective of the ‘baroque’ approach to each movement, inspired by the Bach cello suites. The movement titles are: I: Canto; II: Scorrevole; III: Tango; IV: Bagatelle
I like the double meaning of ‘canto’ – meaning both ‘voice’ and a poetic unit of measurement, and the ubiquitous association of the word ‘bagatelle’ with Webern and Schoenberg. ‘Scorrevole’ in a musical context usually means ‘florid’ or ‘swiftly unfolding’.

Suite for String Quartet was composed in residence at the Banff Centre in Alberta, Canada, with financial support from Creative New Zealand. Its movements are dedicated to the members of the New Zealand String Quartet.

   Chris Gendall, 2010

• Chris Gendall: Suite for String Quartet - downloadable PDF 

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• Chris Gendall: Suite for String Quartet - hardcopy score 

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• Chris Gendall: Suite for String Quartet; video 

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• SOUNZtender Concert - 2010 

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