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• Bolley: An island lilt; facsimile 

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• Bolley: An island lilt; facsimile 

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A short tribute to John Rimmer for his 60th birthday, scored for two cellos. A very compressed and active piece focusing on microscopic modifications of pitch and timbre. Based on a spectral analysis of John Rimmer’s name. Premiered in Auckland by Coral Bognuda and Tom Pierard.

• Hall: Darilo; facsimile 

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• Neville Hall: Selected Works 

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The title “Equali” expresses the idea of sharing between two similar instruments. This happens in a variety of ways in the eight duos, but I was particularly interested in exploring the interweaving and crossing of the two violin lines and the idea of dividing ideas between them. I have always been drawn to the idea of duos, whether for equal or unequal instruments clarinets or keyboard. But the warmth and expressiveness of stringed instruments has a special appeal, which I hope comes across in this set. They also exist in a version for two violins.

• Farquhar: Equali for Two Cellos; facsimile 

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• Farquhar: Equali for two celli; facsimile 

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The title Equali expresses the idea of sharing between two similar instruments. This happens in a variety of ways in the eight duos, but I was particularly interested in exploring the interweaving and crossing of the two violin lines and the idea of dividing ideas between them. I have always been drawn to the idea of duos, whether for equal or unequal instruments, clarinets or keyboard. But the warmth and expressiveness of stringed instruments has a special appeal, which I hope comes across in this set. They also exist in a version for two cellos.

• Farquhar: Equali for two violins; facsimile 

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• Farquhar: Equali for two violins; facsimile 

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• David Farquhar: Equali; audio 

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• Wells: Five Miniatures; computer-set 

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Composed while I was a student at the University of Otago (Dunedin, New Zealand), these two viola duets originated from my first and second years, when I was studying Performance and Composition. From my third year Performance took over, to the extent that I couldn’t concentrate on Composition, so these duets are remnants of a compositional career that may still be there…waiting?…biding its time? Much of my four years at Otago were spent in Marama Hall, more precisely in the ground floor practice rooms (which were, in fact, underground). Practice Room One, my “favourite” (old piano, no chance of piano students interrupting), was most probably the place where these duets were composed. From what I remember, the Marama was a First World War hospital ship, and in the foyer of the hall a large honours board lists the men and women who served on her.

From Marama’s Hold was premiered by Duo Resonance in April 2001 at the XXIX International Viola Congress, held in Wellington, New Zealand.

• Mawhinney: From Marama's Hold; computer set 

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• Hall: in the folds of silence 2; facsimile 

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• Ritchie A.: Shoal Dance; computer-set 

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• Anthony Ritchie: CONCERTINA  Year: 2012 

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In four movements: I. Gently interweaving figures shared between the two instruments. II. Over a perfect fourth ostinato, a chordal progression in free tonality. III. Varied melody and accompaniment. IV. The ostinato from the second movement is now an augmented fourth; the uneasy motion of this combines with melodic fragments to create a somewhat unsettling effect.

• Carey: Sonatine; facsimile 

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Scored for violin and cello this work has been dscribed as, “the most extended and dramatic composition on the album… This extraordinary work is a tour de force for violin and cello, rivettingly performed by Douglas Beilman and James Tennant.” Oliver Stead, Music in NZ “This is a powerful work, an angry work even, from the shuddering, shifting harmonies of the opening tremolo to a cello cadenza of almost Slavic intensity, and the recurring percussive effects the composer demands of her players.” William Dart, Music in NZ.

• de Castro-Robinson: Tumbling Strains; facsimile 

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• de Castro-Robinson: Tumbling Strains; facsimile 

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• de Castro-Robinson: Tumbling Strains; facsimile 

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• de Castro Robinson: Tumbling Strains  

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• Preview - a journey to Olympus, and beyond 

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• De Castro-Robinson: Triple Clarinet Concerto and other works 

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• Different Tracks  Year: 1993 

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• A Chaos of Delight: music by Eve de Castro-Robinson  Year: 1998 

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