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• Buchanan: Cello Duet; computer-set 

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The aim of these duets is to introduce young violinists at a tertiary level to aspects of contemporary composition which they may not have encountered in more conventional repertoire. They were written by Tabea Squire following her research on the subject of ‘difficulties faced by young violinists in learning contemporary music’, as part of her independent study at the NZSM in 2010.

• Tabea Squire: Contemporary Duets - hardcopy score 

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• Tabea Squire: Contemporary Duets - downloadable PDF 

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A short tribute to John Rimmer for his 60th birthday, scored for two cellos. A very compressed and active piece focusing on microscopic modifications of pitch and timbre. Based on a spectral analysis of John Rimmer’s name. Premiered in Auckland by Coral Bognuda and Tom Pierard.

• Hall: Darilo; facsimile 

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• Neville Hall: Selected Works 

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• Moon: Duo for Two Violins; facsimile 

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• Moon: Duo for Two Violins; facsimile 

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• Moon: Duo for Two Violins; facsimile 

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• Lilburn: Duos for Two Violins; facsimile 

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• Strung - A Collection of String Music 

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• Instrumental Music: Douglas Lilburn 

  Vinyl (LP or EP)
  

• Lilburn: Duos for two violins  Year: 1981 

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• Douglas Lilburn: Master Works for Strings  Year: 2011 

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The title “Equali” expresses the idea of sharing between two similar instruments. This happens in a variety of ways in the eight duos, but I was particularly interested in exploring the interweaving and crossing of the two violin lines and the idea of dividing ideas between them. I have always been drawn to the idea of duos, whether for equal or unequal instruments clarinets or keyboard. But the warmth and expressiveness of stringed instruments has a special appeal, which I hope comes across in this set. They also exist in a version for two violins.

• Farquhar: Equali for Two Cellos; facsimile 

  Full score | Pdf - facsimile
  

• Farquhar: Equali for two celli; facsimile 

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  $15.00
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The title Equali expresses the idea of sharing between two similar instruments. This happens in a variety of ways in the eight duos, but I was particularly interested in exploring the interweaving and crossing of the two violin lines and the idea of dividing ideas between them. I have always been drawn to the idea of duos, whether for equal or unequal instruments, clarinets or keyboard. But the warmth and expressiveness of stringed instruments has a special appeal, which I hope comes across in this set. They also exist in a version for two cellos.

• Farquhar: Equali for two violins; facsimile 

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• Farquhar: Equali for two violins; facsimile 

  Full score | Pdf - facsimile
  

• David Farquhar: Equali; audio 

  Media on Demand | Embedded
  

The onomatopoeic word "flttttt” has its origins in the ancient Meidup language of Miunkelsneimistan, and it denotes an impaired yet frustrating fly. I first came across the word in a six-thousand-year-old sound recording which I uncovered on an archaeological dig in Miunkelsneimistan in late 2004. Despite the magnitude of this discovery, I withheld the recording from the wider academic community until I had a chance to transcribe it for two string players. The release of the recording was timed to coincide with my transcription’s premiere performance, given by Johnny Chang (violin) and Jessica Catron (cello) in the University of Auckland Music Theatre, on 10 March 2006.

I humbly acknowledge The Microscore Project for commissioning the archaeological dig. Dub dub dub dot myspace dot com slash theMicroscoreProject.

• Ellis: Flttttt; computer-set 

  Full score | Pdf - computer set
  

• Ellis: Flttttt; computer-set 

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• Robbie Ellis: Flttttt; audio 

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• Robbie Ellis: Flttttt 

  Digital sound file - wav
  

• Taylor: i am dead but i know the dead are not like this; computer-set 

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• Taylor: i am dead but i know the dead are not like this; computer-set 

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• Alex Taylor: i am dead but i know the dead are not like this; audio 

  Media on Demand | Embedded
  

• Hall: in the folds of silence 2; facsimile 

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  $17.00
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