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This piece was inspired by the beguiling sounds of the aeolian harp to which I was first introduced by Chris Cree Brown. Said to have been first ‘discovered’ by the ancient Greeks, aeolian harps are intended to be played not by human hands, but by the wind. The strings vibrates through a range of harmonics creating an eerie effect difficult to describe.


Jack Body

• Body: Aeolian Harp; computer-set 

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This short piece was written as a twenty-first birthday present for clarinettist Esther Smaill. The melodic fragment heard at the outset soon skitters over its own unstable surface, mutates into fanfare-like repetitions, is spliced with momentary cantabile inserts, is interrupted by slow motion signposts, and blows itself out in a final burst of energy.

• Gardner: Charge; computer-set 

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• Gardner: Charge; computer-set 

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• Ritchie, A.: Meditation; computer-set 

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• Ritchie, A.: Meditation, op.112; computer-set 

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• Cowdell: Sycorax; facsimile 

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• Biddington: Three Pieces for solo viola; computer-set 

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• Eric Biddington: Southern Melodies  Year: 1998 

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• Jameson: To Fly; computer-set 

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• Fritha Jameson: Selected Works  Year: 2001 

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