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Arabesque was originally composed, as a commissioned work, for Sarah Langley, principal accordionist with the Air New Zealand Accordion Orchestra. She premiered this work in Auckland, June 1991 at the New Zealand Accordion Championships. Sarah was New Zealand solo accordion champion in 1991 This work was later arranged for piano.

• Daverne: Music for Accordion; computer-set  Year: 2006 

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• Gary Daverne: Accordion Concert Music 

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Horror Vacui refers to the notion that nature abhors a vacuum, and that an empty space will always try to fill itself with gas or liquid. This principle was widely accepted by physicists for a long time until it was disproved in the 17th Century. The term literally means ‘fear of empty space’ and in visual art has come to be associated with works which are completely filled in with detail. In writing this work I was interested in creating a musical space which compulsively wants to fill itself as if the music were being sucked out from the accordion by a vacuum.

The work is dedicated to Martynas Levickis, for whom it was written.

• Simon Eastwood: Horror Vacui - hardcopy score 

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Introduction and Toccata was originally composed, as a commissioned work, for Brenden Healy, a playing member with the Air New Zealand Accordion Orchestra. He premiered this work in Auckland, June 1992 at the New Zealand Accordion Championships. It was later arranged for piano.

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Sonatina in C was originally composed for Harley Jones, a solo accordionist and director of the Air New Zealand Accordion Orchestra. He premiered this work in Auckland in 1989. Rhapsody for Accordion and Orchestra was also composed for Harley.

• Daverne: Music for Accordion; computer-set  Year: 2006 

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Sonatina in G was originally composed, as a commissioned work, for Stephanie Grey, while she was New Zealand Accordion Champion and principal accordionist with the Air New Zealand Accordion Orchestra. Stephanie was New Zealand solo accordion champion in 1985, 1987 and 1988. Stephanie premiered this work in Auckland in 1989.

• Daverne: Music for Accordion; computer-set  Year: 2006 

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Theme and Variations was originally composed, as a commissioned work, for Stephanie Grey, while she was New Zealand Accordion Champion and principal accordionist with the Air New Zealand Accordion Orchestra. Stephanie was New Zealand solo accordion champion in 1985, 1987 and 1988. Stephanie premiered this work in Auckland in 1989. It was later arranged for piano.

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Waltz for Stephanie was originally composed for Stephanie Grey, while she was New Zealand Accordion Champion and principal accordionist with the Air New Zealand Accordion Orchestra. She premiered this work in Auckland in 1989. It was the title track for an album of accordion compositions by the composer.

• Daverne: Music for Accordion; computer-set  Year: 2006 

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