Search Music:

The Carmina Gadelica, known in Gaelic as Ortha nan Gaidheal, is a six-volume collection of orally-transmitted prayers, poems, blessings and other material, collected by the folklorist Alexander Carmichael in the Highlands and Islands of Scotland in the second half of the nineteenth century. Carmichael subsequently translated this material, and edited the first two volumes. The death dirge An Tuiream Bais was published in the third volume, edited by Alexander’s grandson, James Carmichael Watson. I have set the first, fourth, fifth and sixth verses in the original Gaelic language.

• Shortis: An Tuiream Bais; computer-set 

  Full score | Pdf - computer set
  
  $8.00
  • • Quantity:

• Shortis: An Tuiream Bais; computer-set 

  Full score | Hardcopy - computer set
  
  $10.50
  • • Quantity:
  • Borrow

• Carol Shortis: An Tuiream Bais; audio 

  Media on Demand | Embedded
  

This is the fifth consecutive piece for which I have taken the title from Ezra Pound’s “Cantos”. “And saw the waves taking form as crysta” struck me as being particularly musical, purely in metrical and phonetic terms. Initially, it was the phonetic content that was of particular interest to me, because I intended to break the line of poetry into its phonetic components and use these sounds as the basic material for the composition. As the listener will hear, this is, in fact, what I did. The complete line of text, with only a slight modification, can be heard towards the end of the work, but in “slow motion”, spread over some 60 seconds. What precedes this “exposition” is its own detailed deconstruction into some 88 “variations”, which simultaneously break down and develop its material. These 88 events are often layered and interact in a rather complex way, so are not heard as distinct or self-contained sound objects. Although I was originally more interested in the text for its sonic qualities, while working with it I became intrigued by the image of waves “taking form as crystal”. It seemed like an apt metaphor for the compositional process itself, with the fluid and mobile potential of sonic material gradually crystallising into a specific gestalt, interacting and connecting with surrounding material. The water image also encouraged me to follow through with an idea that I had been thinking about for some time – the notion of rhythmic fields radiating outwards from specific points in time, like ripples on the surface of a pond. The composition contains hundreds of these “ripple” structures, which overlap and interact with one another. The resulting rhythms were used to determing subdivisions of glissandi, timbral profiles and other features within the web of “events” that make up the composition. “And saw the waves taking form as crystal” was commissioned by the Radio Slovenia Chamber Choir. It is dedicated to Uros Rojko, with thanks for his support and encouragement during my first ten years in Slovenia.

• Hall: And saw the waves taking form as crystal; facsimile 

  Full score | Hardcopy - facsimile
  
  $35.00
  • • Quantity:
  • Borrow

Much of my work is a marriage (or balancing act) between the Western art music tradition and my own position in time and place. Along with many forms, I have had a love for sacred choral music from Mediaeval times through to the present, but in not being a Christian, I have felt a reluctance to set text in which I don’t fully believe.

In reading the work of spiritual author, Eckhart Tolle, I have discovered a new connection with biblical texts. Tolle quotes the line “Be still, and know that I am God” in his book A New Earth, as an example of a universal truth that is at the heart of all religions and belief systems. In this text “God” may be seen as the Christian God, an omnipresent spiritual dimension or the universe personified. This line, and the rest of the text, is from Psalm 46. In setting this text I have found an opening into the world of sacred choral music that aligns with my own beliefs.

Anthony Young

• Young, A.: Be Still; computer-set 

  Full score | Hardcopy - computer set
  
  $8.50
  • • Quantity:
  • Borrow
  • Hire

• Young, A.: Be Still; computer-set 

  Full score | Pdf - computer set
  
  $6.50
  • • Quantity:

• Anthony Young: Be Still; audio 

  Media on Demand | Internal - audio
  

• Works by Anthony Young 

  CD
  
  • Borrow

• Becker: Cancer Two - "T'amo mia vita"; facsimile 

  Full score | Pdf - facsimile
  

• Becker: Cancer Two - "T'amo mia vita"; facsimile 

  Full score | Hardcopy - facsimile
  
  $15.50
  • • Quantity:
  • Borrow

• de Castro-Robinson: Flourish; facsimile 

  Full score | Hardcopy - facsimile
  
  $12.50
  • • Quantity:
  • Borrow

This poem, by Australian poet Judith Wright (1915-2000) is a simple image of dogs chasing a hare in the light of the full moon. The hare is imagined as jumping into the moon, while the dogs can only howl at the moon in frustration.

Judith Wright spent much of her life involved in campaigning for Aboriginal rights and fighting against environmental destruction.

Full Moon Rhyme was written for Leading Notes choir from Westlake Girls High School (conductor: Fiona Wilson).

• David Hamilton: Full Moon Rhyme - hardcopy score  Year: 2008 

  Full score | Hardcopy - computer set
  
  $3.00
  • • Quantity:
  • Borrow

• David Hamilton: Full Moon Rhyme; audio 

  Media on Demand | Internal - audio
  

• The Treble Voice Choral Music of David Hamilton Vol. 4  Year: 2013 

  CD
  
  $15.00
  • • Quantity:
  • Borrow

• Russell: God's Grandeur; computer set 

  Full score | Pdf - computer set
  
  $6.50
  • • Quantity:

• Russell: God's Grandeur; computer set 

  Full score | Hardcopy - computer set
  
  $8.50
  • • Quantity:
  • Borrow

• Palmer: gone; computer-set 

  Full score | Pdf - computer set
  
  $8.00
  • • Quantity:

Haec Dies is a short introit written in 2007 for the Choir during my time as Composer-in-Residence, and is dedicated with thanks to the Companions of Wellington Cathedral who funded the residency. This is a joyful piece set to the following latin words:


Haec dies quam fecit Dominus: Exultamus et laetemur in ea. Alleluia.


(This is the day that the Lord has made: let us rejoice and be glad in it. Alleluia.)


Psalm 117 v 24

• Baldwin: Haec Dies; computer-set 

  Full score | Hardcopy - computer set
  
  $8.50
  • • Quantity:
  • Borrow

• Baldwin: Haec Dies; computer-set 

  Full score | Pdf - computer set
  
  $6.50
  • • Quantity:

The text for this work is a short poem by Lucille Clifton (1936-) suggesting an intense religious experience and part of the traditional Latin ‘Magnificat’. The choir is accompanied by pre-recorded sounds which are mostly bell-like sounds, some deep and some very high. Holy Night was written for Opus to sing at the 2000 Secondary Schools Choral Festival.

• Hamilton: Holy Night; computer set 

  Full score | Hardcopy - computer set
  

• Hamilton: Holy Night; computer set 

  Full score | Hardcopy - computer set
  
  • Borrow

• David Hamilton: Holy Night; video 

  Media on Demand | External - video
  

• The Treble Voice Choral Music of David Hamilton Vol 1 

  CD
  
  $15.00
  • • Quantity:
  • Borrow

• The Big Sing Finale 2000  Year: 2000 

  CD
  
  • Borrow

• Sound Barrier  Year: 2006 

  CD
  
  • Borrow